对激进主义的呼唤

IF 0.3 0 ART
Barbara Pezzini
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引用次数: 0

摘要

2005年,生物学家Phil Clapham警告说,不发表自己的作品是危险的。他写道,多年从事某一学科研究的科学家未能发表论文“是一种科学犯罪”。2018年,在艺术和人文领域,我持不同观点。我发现过度出版和完全不出版一样对学科有害。著名的学术格言“要么出版,要么灭亡”,再加上不断扩张的媒体和数字出版的兴起,正在创造庞大、快速扩张和难以管理的书目。根据JSTOR的数据,仅在2010年,就有799篇关于“毕加索”的文章、10250篇关于“艺术市场”的文章和12143篇关于“中世纪”的文章。毫无疑问,这些结果会有一些重叠,而且并非所有的结果都与一个人的研究有关——我承认“中世纪”这个词特别模糊——但这些数字突显了一年内发表的大量作品。即使一个人的研究主题相对小众,也越来越难以跟上新出版物的步伐。因此,我们中的许多人无法广泛或彻底地阅读,我们将自己的专业局限于越来越小的领域。我们可能会感到阅读疲劳,或者感到力不从心和焦虑。此外,出版的要求是如此无情,再加上职业上的不确定性,这让同事们远离了学术界。社会学家Francesca Coin最近对辞职现象进行了调查,辞职现象甚至创造了自己的学术流派“辞职文学”。她的论文在知识库网站Academia.edu上发表后的几周内被下载了3000多次,这一速度表明了它对学术界的话题性。Coin谈到了一位职业学者,他“按照不切实际的、全天候的时间表工作,并记录着持续的超负荷和频繁的倦怠。它是一个个体企业,其对自我实现的渴望转化为不断因不满和难以控制的工作量而受挫。”这种职业疲劳的一个可能答案是辞职,遵循法国哲学家阿尔伯特·加缪(1913–1960)的叛逆信条。用Coin的话来说:
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Call to Activism
In 2005, biologist Phil Clapham warned of the perils of not publishing one’s work. Failure to publish by scientists who work for years on a subject, he wrote, “is a scientific crime.” Speaking in 2018 from the arts and humanities field, I hold a different viewpoint. I find excessive publishing equally damaging to the discipline as not publishing at all. The well-known academic motto “publish or perish,” combined with an expanding press and the rise of digital publishing, is creating vast, fast-expanding and unmanageable bibliographies. According to JSTOR in 2010 alone there were 799 articles published on “Picasso,” 10,250 on “Art Market” and 12,143 on “Medieval.” Undoubtedly there will be some overlap in these results, and not all will be relevant to one’s research – I admit the term “Medieval” is particularly vague – but these numbers highlight the large amount of published work in a single year. It is becoming increasingly difficult to keep abreast of new publications, even if one’s research subject is relatively niche. As a result, many of us are unable to read either widely or thoroughly and we circumscribe our specialism to smaller and smaller areas. We may suffer from reading fatigue or from feelings of inadequacy and anxiety. In addition, the requirement to publish is so ruthless that, combined with professional uncertainty, it is driving colleagues away from academia. The phenomenon of quitting – which has even created its own academic genre, “Quit Lit” – has been recently investigated by sociologist Francesca Coin. Her paper was downloaded more than 3,000 times in the few weeks since its publication on the repository website Academia.edu, a rate that shows its topicality for the academic community. Coin speaks of a career academic who “works an unrealistic, 24/7 schedule chronicled by constant overload and frequent burnout. It acts as an individual enterprise whose desire for self-realization translates into being constantly frustrated by feelings of dissatisfaction and an unmanageable workload.” A possible answer to this professional fatigue is quitting, following the rebellious creed of French philosopher Albert Camus (1913–1960). In the words of Coin:
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