声音、动作和情感:维京人墓地的历史表演

IF 0.3 Q2 HISTORY
S. Mcleod, F. Wilkins, C. Galán-Díaz
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引用次数: 0

摘要

葬礼景观项目于2014年启动,旨在通过在苏格兰前现代墓地进行重演实地调查,探索景观、音乐和情感之间的相互作用。2014年,在艾格岛的一个考古证实的维京人墓地,与成年和小学年龄的社区志愿者一起对维京人葬礼的各个方面进行了重新创作。其目的是调查维京时代的葬礼音乐和运动(如游行)在其直接环境中是如何发挥作用的,以及现代参与者对景观和音乐的情感反应。在简要概述场地和表演选择后,本文借鉴了现场调查和在重演后对参与者进行的采访。它特别评论了遗产作为一种教育和记忆过去的方法的戏剧性表现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sound, Movement, and Emotion: An Historically-informed Performance at a Viking Burial Site
Launched in 2014, the aim of the Funeralscapes project is to explore the interplay between landscape, music and emotion by conducting re-enactment fieldwork at pre-modern burial sites in Scotland. In 2014 re-creations of aspects of a Viking funeral at an archaeologically attested Viking burial site was conducted with adult and primary school aged community volunteers on the Isle of Eigg. The aim was to investigate how Viking Age funeral music and movement (such as processions) could have worked in their immediate environment, and what emotional responses the modern-day participants had to the landscape and music. Following a brief outline of the site and performance choices, this paper draws upon fieldwork and interviews conducted with the participants following the re-enactments. It particularly comments upon the dramatic performance of heritage as a method through which the past is taught and remembered.
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来源期刊
CiteScore
0.10
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11
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