L. Brostoff, S. Zaleski, Carol Lynn Ward-Bamford, E. Montagnino, I. Muller, A. Buechele, M. Loew, Fenella G. France
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Nineteenth century glass manufacture and its effect on photographic glass stability
Abstract The Industrial Revolution led to mass production of many materials that naturally found their way into nineteenth century cultural heritage. One such material is flat glass, the manufacture of which underwent a succession of innovations that influenced the burgeoning field of photography. Results of historical research illustrate how changes in the glass industry contributed to the diversity of glass available to nineteenth century photographers either as cover glass in enclosures or as substrates. This information provides important context for limited surveys of nineteenth century photographic glass in two historical society collections using only microscopy and X-ray fluorescence (XRF). Survey results, plus microscopy, XRF, and OCT and analysis of historical and artificially aged model glass, provide new evidence about instability in glass in historical collections of photography, and underscore the potential for any type of nineteenth century glass to undergo progressive deterioration involving attack on the silicate network in adverse microclimates. Results have implications for both prioritisation of collection needs and conservation practices.
期刊介绍:
The Journal of the Institute of Conservation is the peer reviewed publication of the Institute of Conservation (Icon). As such, its aims reflect those of Icon, to advance knowledge and education in conservation and achieve the long term preservation and conservation of moveable and immoveable cultural heritage. The Journal provides a collective identity for conservators; it promotes and supports both the profession and professionalism. With international contributions on all aspects of conservation, it is an invaluable resource for the heritage sector. The specific aims of the Journal are to: 1. promote research, knowledge and understanding of cultural heritage conservation through its history, practice and theory 2. provide an international forum to enable and disseminate advances in research, knowledge and understanding relating to conservation and heritage 3. champion and support professional standards of heritage conservation in the UK and internationally 4. provide a permanent record of issues relating to conservation and heritage 5. be financially and operationally sustainable. To achieve these aims, the Journal invites contributions from all those involved in the conservation of cultural heritage and related activities. Areas of interest include understanding cultural heritage materials and their degradation; subject reviews and histories of cultural heritage materials and conservation treatments; new, innovative or improved approaches to conservation and collections care theory, practice, communication, management and training; case studies demonstrating new, innovative or improved approaches; and conservation in its wider context. Submitters are encouraged to demonstrate how their work is of practical application to conservation. To maintain professional standards and promote academic rigour, submissions of articles and shorter notices are subject to an anonymous peer review process.