在另类的QTPOC夜生活空间中体现跨国界酷儿黑棕乌托邦

Q4 Arts and Humanities
M. Bhardwaj
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引用次数: 1

摘要

这一焦点探讨了在现代另类夜生活空间中想象的酷儿黑人和棕色人种女权主义和乌托邦政治。这是通过约翰内斯堡的其他村民、伦敦的Misery Party和Pxssy Palace以及纽约的Papi Juice和BK Boihood对Queertopia的QTPOC(酷儿和跨性别有色人种)夜生活空间的案例研究完成的。这些城市尤其被提升为黑人和棕色人种反抗白人统治和种族资本的空间,即使在LGBTQIA内部也是如此+ 含蓄或明确地不迎合黑人和棕色人种的空间。通过这些检查,有人认为,有色人种酷儿女权主义者正在通过以治愈、心理健康、祖先信仰实践、黑人和棕色人种酷儿音乐和舞蹈传统为中心的派对,以及活动家和文化工作者在主流酒吧和夜生活之外聚集的空间,体现酷儿乌托邦。通过将这些做法与跨国抵制种族资本主义和异性恋恐惧症联系起来,特别是通过迎合参与社会运动、抵抗和文化组织工作的有色人种酷儿,这些政党作为黑人和棕色人种跨国女权主义实践的实验而存在。这篇文章探讨了这些派对的组织者和参与者在实体夜生活空间以及在新冠肺炎封锁期间进行的数字空间中建立的跨境联系,这些封锁明确地将有色人种酷儿聚集在一起,在全国范围内跳舞和做梦。它最终认为,这些夜生活空间是想象乌托邦可能性的实践,在乌托邦中,有色人种的酷儿在境外茁壮成长。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Embodying transnational queer Black and Brown utopia in alternative QTPOC nightlife spaces
abstract This focus explores queer Black and Brown feminist and utopian politics as imagined in modern-day alternative nightlife spaces. This is done through case studies of the QTPOC (Queer and Trans People of Colour) nightlife spaces of Queertopia by the Other Village People in Johannesburg, Misery Party and Pxssy Palace in London, and Papi Juice and BK Boihood in New York. These cities are particularly lifted up as spaces of Black and Brown resistance to white dominance and racial capital, even within LGBTQIA+ spaces that implicitly or explicitly do not cater to Black and Brown queers. Through these examinations, it is argued that queer feminists of colour are embodying queer utopia through parties that centre healing, mental health, ancestral faith practices, queer Black and Brown music and dance traditions, and spaces for activists and cultural workers to gather beyond mainstream bars and nightlife. By linking these practices to transnational resistance to racial capitalism and cisheterophobia, and by particularly catering to queer people of colour involved in social movement, resistance, and cultural organising work, these parties exist as experiments in Black and Brown transnational feminist practice. This article examines the bonds that organisers and attendees of these parties build with each other across borders, both in physical nightlife spaces as well as in digital spaces conducted during COVID-19 lockdowns that explicitly brought queer people of colour together to dance and dream transnationally. It ultimately argues that these nightlife spaces are practices of imagining the possibility of utopias where queer people of colour thrive beyond borders.
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AGENDA
AGENDA POETRY-
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