评哈里森:“文体变化的社会机制”

IF 0.6 0 MUSIC
S. Burgess
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引用次数: 0

摘要

本文是对Harrison(2021)的论文《文体变化的社会机制:20世纪初法国的案例研究》的回顾。在这项研究中,哈里森发现,阿帕奇人,一群在20世纪的法国以推动风格界限而闻名的作曲家,在他们的音乐中使用的记谱拍子变化比对照组的同龄人稍微多一些,但是记谱拍子变化的使用也取决于其他因素,比如作曲家的世代成员。这篇评论主要探讨了哈里森的方法:虽然哈里森在她的研究中为每个变量定义了严格的定义,允许统计分析的特殊性,但他们遗漏了很大一部分感知相关的数据,这些数据将为所呈现的结果提供更大的音乐学概括性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Commentary on Harrison: "Social Mechanisms of Stylistic Change"
This is a review of Harrison's (2021) paper "Social Mechanisms of Stylistic Change: A Case Study from Early 20th-Century France." In this study, Harrison found that the Apaches, a group of composers known for pushing stylistic boundaries in 20th-century France, employed slightly more instances of notated meter change in their music than a control group of their peers, but that the use of notated meter change also depended on other factors such as composers' generational membership. This commentary primarily explores Harrison's methodologies: while the stringent definitions Harrison defines for each variable in her studies allow for specificity in the statistical analyses, they leave out a large portion of perceptually relevant data that would lend greater musicological generalizability to the results presented.
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