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引用次数: 0
摘要
本文讨论了中世纪晚期东部低地国家(约1500年)的现代宗教手稿文化的两个重要代表:一个是本土虔诚的歌曲手稿(柏林,Staatsbibliothek zu Berlin——Preussischer Kulturbesitz mgo 185),另一个是荷兰中部的一个收藏馆或各种简短宗教文本的收藏馆(兹沃勒,Overijssel历史中心,Emmanuelshuizen收藏13)。这两部宗教多文本法典,两种手稿之间的材料相似性经常被指出,但从未被详细研究过。然而,这些特殊的手稿为这种比较提供了肥沃的土壤,因为两者在一定程度上都是由同一位——可能是女性——抄写员抄写的。通过考察他们的努力和合作的性质和程度,本文进一步发展了以往学术界对歌曲手稿和强奸曲制作过程提出的问题和争论。
Scribal Collaboration and Gender in a Middle Dutch Song Manuscript and a Rapiarium of the Devotio Moderna
This article discusses two important representatives of the manuscript culture of the Devotio Moderna in the late medieval eastern Low Countries (c. 1500): a vernacular devout song manuscript (Berlin, Staatsbibliothek zu Berlin—Preussischer Kulturbesitz mgo 185) and a Middle Dutch rapiarium or collection of various short religious texts (Zwolle, Historisch Centrum Overijssel, Collectie Emmanuelshuizen 13). Both religious multi-text codices, the material similarities between both types of manuscripts have frequently been pointed out but were never studied in detail. These particular manuscripts, however, offer fertile grounds for such a comparison, since both were in part copied by the same—probably female—scribes. Examining the nature and extent of their efforts and collaborations, this article further develops questions and arguments raised in previous scholarship on the production processes of song manuscripts and rapiaria.