污染即协作:COVID-19大流行时期的“与”

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
K. Żyniewicz
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引用次数: 0

摘要

2020年爆发的全球疫情对全世界大多数人来说都是一次令人不安的经历。保护人类生命的主要方式是保持社交距离和封锁,通常迫使人们呆在家里。禁闭使恐惧和不确定性变得越来越大。幸运的是,在线连接仍然是前所未有的可能和必要。该文本的灵感来源于学术策展人Claire Nettleton发起的一系列题为“病毒文化:生物艺术与社会”的远程会议,旨在召集艺术与科学领域的工作人员。Zoom聚会的录音,辅以笔记和聊天记录,是有趣的主题和想法存储。这篇文章聚焦于三条主线:与(其他人类、病毒和其他非人类行为者)在一起、无接触地照顾以及被解读为一个巨大的生物艺术项目的疫情。包括本文在内的所有存档材料都有可能在未来成为历史文献,展示特定的跨学科文化生产者群体如何在第一阶段应对全球危机。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Contamination as collaboration: Being-with in the time of the COVID-19 pandemic
The global pandemic outbreak in 2020 was a disturbing experience for most people worldwide. The primary way of protecting human life was social distancing and lockdown, often forcing people to stay at home. The confinement made the fear and uncertainty grow bigger and bigger. Fortunately, the online connection was still as possible and essential as never before. The text is inspired by a series of remote meetings under the working title Viral Culture: Bio Art and Society, initiated by academic curator Claire Nettleton to put together people working in art&science area. Recordings of the Zoom gatherings complemented by notes and chat transcriptions served as intriguing storage of topics and ideas. This article focuses on the three threads: being-with (other humans, the virus and other non-human actors), caring without touch and the pandemic interpreted as a vast bio art project. All the archived materials, including the present article, will potentially function as historical documents in the future, showing how a specific group of transdisciplinary culture producers dealt with the global crisis in its first phase.
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来源期刊
Technoetic Arts
Technoetic Arts HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
11
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