{"title":"《自画像》、《投手》和《烈士伦勃朗》","authors":"I. Surat","doi":"10.1080/10611975.2021.1872330","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article discusses three of Osip Mandelstam’s poems that refer to works of art: “A hint of wing in the lifted” (sometimes called “Self-Portrait”), “Delinquent debtor to a long thirst” (or “The Pitcher), and “Like chiaroscuro’s martyr Rembrandt.” Irina Surat outlines the context of each poem, as well as the art works each refers to, and with reference to other scholars and memoirists places them within Mandelstam’s poetic and critical opus.","PeriodicalId":55621,"journal":{"name":"RUSSIAN STUDIES IN LITERATURE","volume":"56 1","pages":"32 - 50"},"PeriodicalIF":0.0000,"publicationDate":"2020-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10611975.2021.1872330","citationCount":"0","resultStr":"{\"title\":\"A Self-Portrait, the Pitcher, and Rembrandt the Martyr\",\"authors\":\"I. Surat\",\"doi\":\"10.1080/10611975.2021.1872330\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article discusses three of Osip Mandelstam’s poems that refer to works of art: “A hint of wing in the lifted” (sometimes called “Self-Portrait”), “Delinquent debtor to a long thirst” (or “The Pitcher), and “Like chiaroscuro’s martyr Rembrandt.” Irina Surat outlines the context of each poem, as well as the art works each refers to, and with reference to other scholars and memoirists places them within Mandelstam’s poetic and critical opus.\",\"PeriodicalId\":55621,\"journal\":{\"name\":\"RUSSIAN STUDIES IN LITERATURE\",\"volume\":\"56 1\",\"pages\":\"32 - 50\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-04-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/10611975.2021.1872330\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RUSSIAN STUDIES IN LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10611975.2021.1872330\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RUSSIAN STUDIES IN LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10611975.2021.1872330","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
A Self-Portrait, the Pitcher, and Rembrandt the Martyr
ABSTRACT This article discusses three of Osip Mandelstam’s poems that refer to works of art: “A hint of wing in the lifted” (sometimes called “Self-Portrait”), “Delinquent debtor to a long thirst” (or “The Pitcher), and “Like chiaroscuro’s martyr Rembrandt.” Irina Surat outlines the context of each poem, as well as the art works each refers to, and with reference to other scholars and memoirists places them within Mandelstam’s poetic and critical opus.
期刊介绍:
Russian Studies in Literature publishes high-quality, annotated translations of Russian literary criticism and scholarship on contemporary works and popular cultural topics as well as the classics. Selections are drawn from the leading literary periodicals including Literaturnaia gazeta (Literary Gazette), Novoe literaturnoe obozrenie (New Literary Review), Oktiabr (October), Voprosy literatury (Problems of Literature), and Znamia (Banner). An editorial introduction to every issue provides context and insight that will be helpful for English-language readers.