两部作品的故事

IF 2.3 Q3 COMPUTER SCIENCE, SOFTWARE ENGINEERING

Proceedings of the ACM on computer graphics and interactive techniques Pub Date : 2022-09-06 DOI:10.1145/3533612

David Gochfeld, Alex Coulombe, Yu-Jun Yeh, Robert C. Lester, R. B. Fleming, Zachary Meicher-Buzzi, Ari Tarr

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引用次数: 1

摘要

在新冠肺炎大流行期间，许多剧院公司开始试验新技术和方法，将他们的作品带给观众。随着剧院恢复了现场表演，他们正在探索如何将这些新技术融入他们的制作中。最近，一家领先的地区剧院公司同时制作了两个版本的《圣诞颂歌》——一个在舞台上呈现，另一个完全在虚拟现实中呈现。他们使用了虚拟制作工具，包括实时动作捕捉、虚拟人、游戏引擎渲染和一个新的多用户VR体验平台。我们讨论这些节目背后的过程、挑战和创意决策，以期为未来的戏剧制作提供信息。

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A Tale of Two Productions

During the COVID-19 pandemic, many theatre companies began experimenting with new technologies and ways to bring their work to audiences. As theatres have resumed in-person performances, they are exploring how these new techniques can be incorporated into their productions. Recently one leading regional theatre company produced two versions of A Christmas Carol in parallel - one presented on stage, and the other entirely in virtual reality. They used virtual production tools including real-time motion capture, virtual humans, game engine rendering, and a new platform for multi-user VR experiences. We discuss the process, challenges, and creative decisions behind these shows, with an eye towards informing future theatrical productions.

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来源期刊

Proceedings of the ACM on computer graphics and interactive techniques

CiteScore

2.90

自引率

0.00%

发文量