以色列的欧洲愿景:作为媒体事件的犹太国家

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY
Daniel Mahla
{"title":"以色列的欧洲愿景:作为媒体事件的犹太国家","authors":"Daniel Mahla","doi":"10.1080/14725886.2022.2112918","DOIUrl":null,"url":null,"abstract":"ABSTRACT Israel has participated in the Eurovision, the largest European music festival, since 1973. The Jewish state regularly invests substantial resources in the contest and goes to great lengths to shine; with four victories, as well as two second places, it has been highly successful. Given its symbolic significance, as well as its actual impact on Israeli cultural diplomacy and nation-branding efforts, the annual media event and the process of selecting an artistic representative frequently elicit values-laden debates. Against this backdrop, the article investigates the evolution of the ways in which Israelis have presented themselves on the Eurovision stage, as well as the country’s internal discourse surrounding this annual cultural ritual. Israel’s participation in the yearly spectacle, I argue, has become an important element of ongoing Zionist-Israeli nation-building.","PeriodicalId":52069,"journal":{"name":"Journal of Modern Jewish Studies","volume":"22 1","pages":"482 - 502"},"PeriodicalIF":0.4000,"publicationDate":"2022-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Israeli euro-visions: the Jewish state as media event\",\"authors\":\"Daniel Mahla\",\"doi\":\"10.1080/14725886.2022.2112918\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Israel has participated in the Eurovision, the largest European music festival, since 1973. The Jewish state regularly invests substantial resources in the contest and goes to great lengths to shine; with four victories, as well as two second places, it has been highly successful. Given its symbolic significance, as well as its actual impact on Israeli cultural diplomacy and nation-branding efforts, the annual media event and the process of selecting an artistic representative frequently elicit values-laden debates. Against this backdrop, the article investigates the evolution of the ways in which Israelis have presented themselves on the Eurovision stage, as well as the country’s internal discourse surrounding this annual cultural ritual. Israel’s participation in the yearly spectacle, I argue, has become an important element of ongoing Zionist-Israeli nation-building.\",\"PeriodicalId\":52069,\"journal\":{\"name\":\"Journal of Modern Jewish Studies\",\"volume\":\"22 1\",\"pages\":\"482 - 502\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-10-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Modern Jewish Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14725886.2022.2112918\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Modern Jewish Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14725886.2022.2112918","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0

摘要

自1973年以来,以色列一直参加欧洲最大的音乐节——欧洲歌唱大赛。这个犹太国家经常在竞选中投入大量资源,不遗余力地表现自己;四场胜利,以及两次第二名,这是非常成功的。鉴于它的象征意义,以及它对以色列文化外交和国家品牌努力的实际影响,一年一度的媒体活动和选择艺术代表的过程经常引发充满价值观的辩论。在此背景下,本文将探讨以色列人在欧洲歌唱大赛舞台上展现自己的方式演变,以及围绕这一年度文化仪式的国内讨论。我认为,以色列参加一年一度的盛会,已经成为犹太复国主义者-以色列正在进行的国家建设的一个重要因素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Israeli euro-visions: the Jewish state as media event
ABSTRACT Israel has participated in the Eurovision, the largest European music festival, since 1973. The Jewish state regularly invests substantial resources in the contest and goes to great lengths to shine; with four victories, as well as two second places, it has been highly successful. Given its symbolic significance, as well as its actual impact on Israeli cultural diplomacy and nation-branding efforts, the annual media event and the process of selecting an artistic representative frequently elicit values-laden debates. Against this backdrop, the article investigates the evolution of the ways in which Israelis have presented themselves on the Eurovision stage, as well as the country’s internal discourse surrounding this annual cultural ritual. Israel’s participation in the yearly spectacle, I argue, has become an important element of ongoing Zionist-Israeli nation-building.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Journal of Modern Jewish Studies
Journal of Modern Jewish Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.70
自引率
0.00%
发文量
75
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信