它之前的“它”:斯蒂芬·金和阿布曼从嘉莉到《闪灵》

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
C. Sederholm
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引用次数: 0

摘要

尽管斯蒂芬·金最著名的代词“It”的用法来自他1986年的小说《It》,但在那之前,他还是以非常独特的方式使用了“It”。“它”之前的这些用法需要讨论,因为它们意味着人类角色向怪物的复杂转变。本文聚焦于从《嘉莉》到《闪灵》等文本,探讨了金是如何将这些独特的“它”从一种有点模糊的不安感或扭曲的欲望发展成人类特征转化为可怕行为的复杂能指的。但金的关注点从来都不是从人类到怪物转变的奇观或普遍的恐怖。相反,他探索了一个令人不安的问题,即即使是最积极的人类欲望和行为也可以将角色变成“它”的生物。因此,本文认为,成为“它”的真正悲剧来自于认识到这些“它”生物绝不仅仅是一个可怕主题的简单变体;相反,它们代表了普通人在迷失在自己诱人但最终空洞的行为中时变得可怕的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘It’ before It: Stephen King and the abhuman from Carrie to The Shining
Although Stephen King’s most famous use of the pronoun ‘It’ comes from his 1986 novel It, he nevertheless uses ‘It’ in highly distinctive ways well before then. These uses of ‘It’ before It need to be discussed because they signify a complex transformation of human characters into monstrous creatures. Focusing on texts ranging from Carrie to The Shining, this article explores how King developed these distinctive ‘Its’ from a somewhat vague sense of unease or twisted desires into complex signifiers of the ways human characteristics can transform into monstrous actions. But King’s focus is never solely on the spectacle or the general horror of this transformation from human to monster. Instead, he explores the unsettling problem of the ways even the most positive human desires and actions can turn characters into ‘It’ creatures. Thus, the real tragedy of becoming an ‘It’, this article argues, comes from recognizing that these ‘It’ creatures are never just simple variations on a monstrous theme; instead, they represent the ways ordinary people can become monstrous as they lose themselves to their own alluring, but ultimately empty, actions.
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来源期刊
Horror Studies
Horror Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.50
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