Malvina Hoffman在巴尔干半岛报道

IF 0.1 3区艺术学 0 ART

Getty Research Journal Pub Date : 2021-01-01 DOI:10.1086/713435

Raino Isto

{"title":"Malvina Hoffman在巴尔干半岛报道","authors":"Raino Isto","doi":"10.1086/713435","DOIUrl":null,"url":null,"abstract":"This article analyzes the travels of American artist Malvina Hoffman (1885–1966) in Southeastern Europe as a representative of the American Yugo-Slav Relief. Hoffman—famous as a student of sculptors Auguste Rodin and Ivan Meštrović—is best known for roughly a hundred sculptures that she produced for a 1933 exhibition at the Field Museum in Chicago titled The Races of Mankind, which played a crucial role in the development of scientific discourses on race in the United States during the interwar period. In later accounts, Hoffman asserted that her interest in racial types developed during her travels in Yugoslavia while overseeing the distribution of American aid to decimated populations of the region in 1919. Based on research in Hoffman’s archive at the Getty Research Institute, this article considers the kinds of representations Hoffman produced of the Balkans and how her encounter with the region informed her work as a sculptor.","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"13 1","pages":"177 - 202"},"PeriodicalIF":0.1000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/713435","citationCount":"0","resultStr":"{\"title\":\"Malvina Hoffman in the Balkans\",\"authors\":\"Raino Isto\",\"doi\":\"10.1086/713435\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article analyzes the travels of American artist Malvina Hoffman (1885–1966) in Southeastern Europe as a representative of the American Yugo-Slav Relief. Hoffman—famous as a student of sculptors Auguste Rodin and Ivan Meštrović—is best known for roughly a hundred sculptures that she produced for a 1933 exhibition at the Field Museum in Chicago titled The Races of Mankind, which played a crucial role in the development of scientific discourses on race in the United States during the interwar period. In later accounts, Hoffman asserted that her interest in racial types developed during her travels in Yugoslavia while overseeing the distribution of American aid to decimated populations of the region in 1919. Based on research in Hoffman’s archive at the Getty Research Institute, this article considers the kinds of representations Hoffman produced of the Balkans and how her encounter with the region informed her work as a sculptor.\",\"PeriodicalId\":41510,\"journal\":{\"name\":\"Getty Research Journal\",\"volume\":\"13 1\",\"pages\":\"177 - 202\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1086/713435\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Getty Research Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/713435\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Getty Research Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/713435","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}

引用次数: 0

摘要

本文分析了以美国尤戈斯拉夫救济会为代表的美国艺术家马尔维娜·霍夫曼（1885–1966）在东南欧的旅行。霍夫曼是雕塑家奥古斯特·罗丹（Auguste Rodin）和伊万·梅什特洛维奇（Ivan Meštrović。在后来的叙述中，霍夫曼断言，她对种族类型的兴趣是在1919年前往南斯拉夫期间发展起来的，当时她正在监督美国对该地区大量人口的援助分配。根据盖蒂研究所霍夫曼档案中的研究，本文考虑了霍夫曼对巴尔干半岛的表现，以及她与该地区的相遇如何影响了她作为雕塑家的工作。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Malvina Hoffman in the Balkans

This article analyzes the travels of American artist Malvina Hoffman (1885–1966) in Southeastern Europe as a representative of the American Yugo-Slav Relief. Hoffman—famous as a student of sculptors Auguste Rodin and Ivan Meštrović—is best known for roughly a hundred sculptures that she produced for a 1933 exhibition at the Field Museum in Chicago titled The Races of Mankind, which played a crucial role in the development of scientific discourses on race in the United States during the interwar period. In later accounts, Hoffman asserted that her interest in racial types developed during her travels in Yugoslavia while overseeing the distribution of American aid to decimated populations of the region in 1919. Based on research in Hoffman’s archive at the Getty Research Institute, this article considers the kinds of representations Hoffman produced of the Balkans and how her encounter with the region informed her work as a sculptor.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Getty Research Journal ART-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The Getty Research Journal features the work of art historians, museum curators, and conservators around the world as part of the Getty’s mission to promote the presentation, conservation, and interpretation of the world''s artistic legacy. Articles present original scholarship related to the Getty’s collections, initiatives, and research. The journal is now available in a variety of digital formats: electronic issues are available on the JSTOR platform, and the e-Book Edition for iPad, iPhone, Kindle, Android, or computer is available for download.