拉尔夫·埃里森的当代性

IF 0.3 2区 文学 0 LITERATURE
T. Persson
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引用次数: 1

摘要

本文首先指出,最近关于拉尔夫·埃里森的《看不见的人》与当代美国文化的相关性的争论,在历史主义(认为这部小说是吉姆·克劳的产物)和普遍主义(认为它超越了其创作环境)之间形成了对立。作者接着认为,埃里森的小说模式的当代性,不能等同于主张或否认当代性。这个故事的核心是叙述者“必须出现”的感觉,这源于他的感知,即他未能向读者传达他不可见的本质,因此他的写作行为解除了他的武装。文章表明叙述者的出现——这一事件是叙事所必需的,但叙事由于这种必然性的逻辑本身无法包含它——构成了叙述者地下存在的文本时间性和与之相关的社会时间性之间的枢纽。因此,它提供了这样一种可能性,即这两种时间性——可以分别被认为是指写作的时间性和阅读的时间性——可能是联系在一起的,这种联系可能导致只有在叙事形式的限制下才出现的认识形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ralph Ellison's Contemporaneity
This article begins by noting that recent debates about the relevance of Ralph Ellison's Invisible Man to contemporary American culture enact an opposition between historicism (the idea that the novel is a Jim Crow artifact) and universalism (the idea that it transcends the circumstances of its production). The author then argues that Ellison's novel models a contemporaneity that cannot be equated to either the assertion or disavowal of contemporaneousness. At the heart of this account stands the narrator's sense that he “must emerge,” which follows from his perception that he has failed to communicate the nature of his invisibility to his reader, and that his act of writing has therefore disarmed him. The article shows that the narrator's emergence—an event that is necessitated by the narrative but which the narrative, by the very logic of that necessity, cannot itself contain—constitutes the hinge between the textual temporality of his underground existence and the social temporality that abuts it. As such, it offers the possibility that these two temporalities—which may be thought of as referring to the temporality of writing and the temporality of reading, respectively—may be linked, and that this linkage could lead to forms of recognition that appear only at the limit of narrative form.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
0
期刊介绍: Widely acknowledged as the leading journal in its field, Novel publishes essays concerned with the novel"s role in engaging and shaping the world. To promote critical discourse on the novel, the journal publishes significant work on fiction and related areas of research and theory. Recent issues on the early American novel, eighteenth-century fiction, and postcolonial modernisms carry on Novel"s long-standing interest in the Anglo-American tradition.
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