“实践荒野”:吐温和梭罗在湖泊

Pub Date : 2019-10-24 DOI:10.5325/marktwaij.17.1.0028
J. Baggett
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引用次数: 0

摘要

摘要:马克·吐温在《粗略》第22章和第23章中对太浩湖的描述——“整个地球上最美丽的画面”——将他融入了太浩的历史和文化中。他对原始湖水的描述呼应了梭罗在《瓦尔登湖》“池塘”一章中的超越性措辞,完全符合19世纪浪漫主义的荒野写作传统。湖泊成为作者对自然世界概念化的重要衡量标准——用诗人加里·斯奈德的话说,这是他们的“野外实践”。这篇文章运用了野性的理论应用,包括梭罗的文章《行走》,认为两位作者的文学想象都没有调和野性的存在,最终将其作为人类活动的场所,并抵制将自然表现为一个不断变化的有机体。即使是梭罗,在他迷失方向地登上了克塔登山的顶峰后,也发誓要接受更正统的野性同化。
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“Practicing the Wild”: Twain and Thoreau at the Lakes
Abstract:Mark Twain’s depiction of Lake Tahoe in Chapters 22 and 23 of Roughing It—“the fairest picture the whole earth affords”—has embedded him within Tahoe’s history and culture. His descriptions of pristine waters of the lake echo the Transcendental phrasings of Thoreau in “The Ponds” chapter of Walden and fit securely within the nineteenth-century Romantic tradition of wilderness writing. The lakes become important measures of the authors’ conceptualizations of the natural world—their “practice of the wild,” in the poet Gary Snyder’s terms. Using theoretical applications of wildness, including Thoreau’s essay “Walking,” this article argues that neither author’s literary imagination reconciles the presence of wildness, ultimately appropriating it as a setting where human activity takes place, and resisting the representation of nature as an organism in a state of constant change. Even Thoreau, after his disorienting climb to the summit of Mount Ktaadn, vows to settle for a more orthodox assimilation of wildness.
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