{"title":"公共历史与跨媒体叙事冲突","authors":"N. Basaraba, Thomas Cauvin","doi":"10.1080/13642529.2023.2184969","DOIUrl":null,"url":null,"abstract":"ABSTRACT Histories of events can be told from multiple perspectives, and there is rarely just one linear narrative or a single interpretation of the past. This paper takes an interdisciplinary approach to explain how the concept of shared authority in public history can be applied to transmedia storytelling, in the context of media studies, to address conflicting narratives on historical events. Transmedia narratives allow for more opportunities to target different audiences and offer alternatives, and perhaps conflicting interpretations, to official mainstream interpretations of historical events. This is achieved through three primary methods of public participation in the development of conflicting narratives which can be presented through a variety of different media. The theoretical challenges in sharing authority of transmedia narrative creation with different publics ranges from strong to little control (i.e. radical trust). Thus, we discuss a series of methodologies that can be strategically used in future research projects that wish to share authority with different publics in the development of historical transmedia narratives with conflicting interpretations. This approach can be particularly relevant in contexts of segregation, discrimination, identity, political changes or cultural wars.","PeriodicalId":46004,"journal":{"name":"Rethinking History","volume":"27 1","pages":"221 - 247"},"PeriodicalIF":0.5000,"publicationDate":"2023-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Public history and transmedia storytelling for conflicting narratives\",\"authors\":\"N. Basaraba, Thomas Cauvin\",\"doi\":\"10.1080/13642529.2023.2184969\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Histories of events can be told from multiple perspectives, and there is rarely just one linear narrative or a single interpretation of the past. This paper takes an interdisciplinary approach to explain how the concept of shared authority in public history can be applied to transmedia storytelling, in the context of media studies, to address conflicting narratives on historical events. Transmedia narratives allow for more opportunities to target different audiences and offer alternatives, and perhaps conflicting interpretations, to official mainstream interpretations of historical events. This is achieved through three primary methods of public participation in the development of conflicting narratives which can be presented through a variety of different media. The theoretical challenges in sharing authority of transmedia narrative creation with different publics ranges from strong to little control (i.e. radical trust). Thus, we discuss a series of methodologies that can be strategically used in future research projects that wish to share authority with different publics in the development of historical transmedia narratives with conflicting interpretations. This approach can be particularly relevant in contexts of segregation, discrimination, identity, political changes or cultural wars.\",\"PeriodicalId\":46004,\"journal\":{\"name\":\"Rethinking History\",\"volume\":\"27 1\",\"pages\":\"221 - 247\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-03-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Rethinking History\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1080/13642529.2023.2184969\",\"RegionNum\":2,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rethinking History","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/13642529.2023.2184969","RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
Public history and transmedia storytelling for conflicting narratives
ABSTRACT Histories of events can be told from multiple perspectives, and there is rarely just one linear narrative or a single interpretation of the past. This paper takes an interdisciplinary approach to explain how the concept of shared authority in public history can be applied to transmedia storytelling, in the context of media studies, to address conflicting narratives on historical events. Transmedia narratives allow for more opportunities to target different audiences and offer alternatives, and perhaps conflicting interpretations, to official mainstream interpretations of historical events. This is achieved through three primary methods of public participation in the development of conflicting narratives which can be presented through a variety of different media. The theoretical challenges in sharing authority of transmedia narrative creation with different publics ranges from strong to little control (i.e. radical trust). Thus, we discuss a series of methodologies that can be strategically used in future research projects that wish to share authority with different publics in the development of historical transmedia narratives with conflicting interpretations. This approach can be particularly relevant in contexts of segregation, discrimination, identity, political changes or cultural wars.
期刊介绍:
This acclaimed journal allows historians in a broad range of specialities to experiment with new ways of presenting and interpreting history. Rethinking History challenges the accepted ways of doing history and rethinks the traditional paradigms, providing a unique forum in which practitioners and theorists can debate and expand the boundaries of the discipline.