{"title":"什么时候“德国”变成了新的“法国”?马克西米利安二世巴伐利亚宫廷的皇家餐饮和约翰的政治美食Rottenhöfer在跨国欧洲的视角,1830-1870","authors":"Claudia Kreklau","doi":"10.1515/irsr-2017-0006","DOIUrl":null,"url":null,"abstract":"Abstract While France defined European hâute cuisine (royal dining for the purpose of expressing rankdistinction) around 1800, by the mid-nineteenth century the French court failed to hold the best chefs of Europe. Other European courts were rising in power and asserting their absolutist ideals in the century of revolution and socio-political change using meals. Within this context, the culinary art of Johann Rottenhofer in service of Maximilian II of Bavaria synthesized Antonin Careme’s hâute cuisine and Jean Anthelme Brillat-Savarin’s “political gastronomy” to communicate peace, foster international bonds, and establish equality among sovereigns. The works of Levi-Strauss and Norbert Elias find resonance in these culinary practices, wherein monarchs were represented at the table in the form of food. Mid-nineteenth century European monarchs not only appreciated the cultural symbolism and the political significance of food, but actively exploited it as a form of communication. I rely on the typologies provided by Ken Albala and Sara Peterson to decode food meanings in the cookbooks written by royals’ chefs after retirement.","PeriodicalId":37251,"journal":{"name":"International Review of Social Research","volume":"7 1","pages":"46 - 56"},"PeriodicalIF":0.0000,"publicationDate":"2017-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"When “Germany” became the new “France”? Royal Dining at the Bavarian Court of Maximilian II and the Political Gastronomy of Johann Rottenhöfer in Transnational European Perspective, 1830–1870\",\"authors\":\"Claudia Kreklau\",\"doi\":\"10.1515/irsr-2017-0006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract While France defined European hâute cuisine (royal dining for the purpose of expressing rankdistinction) around 1800, by the mid-nineteenth century the French court failed to hold the best chefs of Europe. Other European courts were rising in power and asserting their absolutist ideals in the century of revolution and socio-political change using meals. Within this context, the culinary art of Johann Rottenhofer in service of Maximilian II of Bavaria synthesized Antonin Careme’s hâute cuisine and Jean Anthelme Brillat-Savarin’s “political gastronomy” to communicate peace, foster international bonds, and establish equality among sovereigns. The works of Levi-Strauss and Norbert Elias find resonance in these culinary practices, wherein monarchs were represented at the table in the form of food. Mid-nineteenth century European monarchs not only appreciated the cultural symbolism and the political significance of food, but actively exploited it as a form of communication. I rely on the typologies provided by Ken Albala and Sara Peterson to decode food meanings in the cookbooks written by royals’ chefs after retirement.\",\"PeriodicalId\":37251,\"journal\":{\"name\":\"International Review of Social Research\",\"volume\":\"7 1\",\"pages\":\"46 - 56\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-05-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Review of Social Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/irsr-2017-0006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Review of Social Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/irsr-2017-0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Social Sciences","Score":null,"Total":0}
When “Germany” became the new “France”? Royal Dining at the Bavarian Court of Maximilian II and the Political Gastronomy of Johann Rottenhöfer in Transnational European Perspective, 1830–1870
Abstract While France defined European hâute cuisine (royal dining for the purpose of expressing rankdistinction) around 1800, by the mid-nineteenth century the French court failed to hold the best chefs of Europe. Other European courts were rising in power and asserting their absolutist ideals in the century of revolution and socio-political change using meals. Within this context, the culinary art of Johann Rottenhofer in service of Maximilian II of Bavaria synthesized Antonin Careme’s hâute cuisine and Jean Anthelme Brillat-Savarin’s “political gastronomy” to communicate peace, foster international bonds, and establish equality among sovereigns. The works of Levi-Strauss and Norbert Elias find resonance in these culinary practices, wherein monarchs were represented at the table in the form of food. Mid-nineteenth century European monarchs not only appreciated the cultural symbolism and the political significance of food, but actively exploited it as a form of communication. I rely on the typologies provided by Ken Albala and Sara Peterson to decode food meanings in the cookbooks written by royals’ chefs after retirement.