通过文学定义非洲——黑人作家和艺术家大会演讲中的文学作为非洲性的载体(巴黎,1956年和罗马,1959年)

Q3 Arts and Humanities
Michał Obszyński
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引用次数: 0

摘要

在我们的论文中,我们展示了黑人作家(非洲作家和散居欧洲和美国的黑人作家)如何为以非洲性思想为中心的智力工作做出贡献。我们解释了文学作为文化领域之一,在多大程度上反映了世界黑人作家和艺术家大会(1956年,巴黎和1959年,罗马)的讨论中提出的对非洲的不同看法。关于在这些活动中提出或阐述的正式文本,我们揭示了文学是如何参与非洲地理文化场所的非殖民化重塑和后殖民文学地理的重塑的,同时指出了某些假设的先驱性或预示性特征,这些假设的回声将在20世纪60年代的黑人和泛非艺术节上听到,其相关性在今天也得到了证实。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Définir l’Afrique par la littérature – le littéraire comme vecteur de l’africanité dans le discours des Congrès des écrivains et artistes noirs (Paris, 1956 et Rome, 1959)
In our paper we show how Black writers (those of Africa and those of the Black diaspora in Europe and America) have contributed to the intellectual work centered on the idea of Africanity. We explain to what extent literature, as one of the domains of culture, reflects different visions of Africa, as formulated in the discourse of the World Congresses of Black Writers and Artists (Paris, 1956 and Rome, 1959). With reference to the official texts presented or elaborated during these events, we expose in which way literature is involved in the decolonial remapping of the geocultural place of Africa and in the remodeling of the postcolonial literary geography while pointing out the precursory or heralding character of certain postulates whose echoes will be heard during the festivals of negro and pan-African art of the 1960s and whose relevance is also confirmed nowadays.
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来源期刊
Studia Romanica Posnaniensia
Studia Romanica Posnaniensia Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
17
审稿时长
24 weeks
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