仁慈的条件

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
David Aers, Sarah Beckwith, William Revere
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引用次数: 0

摘要

本文考察了约翰·本扬与宗教改革前代表劳工的传统的关系,从皮尔斯·普洛曼及其模仿者到十六世纪和十七世纪的一系列“犁人”讽刺、抱怨和改革派对话。Bunyan在《朝圣者的进步》的第一部分中挑衅性地拒绝了劳动的美德,将关于信仰正当性的神学信念与机械流动和精神教育的愿景结合在一起,这颠覆了一系列社会形式和等级制度。然而,在《朝圣者的进步》的第二部分,特别是在梅茜的形象中,Bunyan对劳工的模范潜力提出了新的估价。第二部分扩展而非收缩了Bunyan对异议者积极生活的探索,重新构想了化身、习惯化、模仿和社区等问题。Mercie的劳动与中世纪晚期将工作与美德联系在一起的传统相延续。她的例子促使人们重新思考Bunyan自己的反对寓言,以及跨越传统时期界限和忏悔身份对文学形式和道德传统的使用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Conditions of Mercy
This article examines John Bunyan’s relationship to traditions of representing labor reaching back before the Reformation, from Piers Plowman and its imitators through to a range of “plowman” satires, complaints, and reformist dialogues in the sixteenth and seventeenth centuries. Bunyan’s provocative rejection of the virtues of labor in part one of The Pilgrim’s Progress brings together theological convictions about justification by faith with a vision of mechanic mobility and schooling in the Spirit that disrupts a range of social forms and hierarchies. Yet in part two of The Pilgrim’s Progress, particularly in the figure of Mercie, Bunyan offers up a new valuation of the exemplarist potentials of labor. Part two expands rather than contracts Bunyan’s exploration of the active life of dissent, reimagining questions of embodiment, habituation, imitation, and community. Mercie’s labors are performed in continuity with a late medieval tradition linking work and virtue. Her example prompts reconsideration both of Bunyan’s own dissenting allegories and of the uses of literary forms and ethical traditions across conventional period boundaries and confessional identities.
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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