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引用次数: 0
摘要
本文研究了美国加利西亚移民社区的三种电影表现:纪录片《O 15000 de Newark》(2007年)和《小西班牙》(2014年),以及长篇电影《小加利西亚》(2015年)。对这些电影的分析尤其集中在他们选择的框架对移民表现其文化身份的影响上。通过评估身份的表演方面,本文还探讨了将加利西亚性视为一种跨国定位的可能性,无论是全球性的还是全球性的,而不是地理上固定的本质。
This article studies three cinematic representations of the Galician migrant community in the United States: the documentaries Os 15000 de Newark (2007) and Little Spain (2014), and the feature-length film Little Galicia (2015). The analysis of these films focuses especially on the influence of their chosen framing on the migrants’ performance of their cultural identity. By assessing the performative aspect of identity, this article also examines the possibility of considering Galicianness as a transnational positioning, globally or glocally performed, rather than a geographically fixed essence.
期刊介绍:
Published in association with the Institute of Modern Languages Research, School of Advanced Study, University of London. Journal of Romance Studies (JRS) promotes innovative critical work in the areas of linguistics, literature, performing and visual arts, media, material culture, intellectual and cultural history, critical and cultural theory, psychoanalysis, gender studies, social sciences and anthropology. One themed issue and two open issues are published each year. The primary focus is on those parts of the world that speak, or have spoken, French, Italian, Spanish or Portuguese, but articles focusing on other Romance languages and cultures (for example, Catalan, Galician, Occitan, Romanian and other minority languages) is also encouraged.