星期一与Merce:空间，时间和屏幕的merist项目

IF 0.1 3区艺术学 0 DANCE

DANCE CHRONICLE Pub Date : 2021-09-02 DOI:10.1080/01472526.2021.1978827

Fenella Kennedy

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引用次数: 0

摘要

摘要在周一与Merce的系列视频中，Nancy Dalva策划了对Merce Cunningham及其社区的采访，这些采访是在他去世前两年拍摄的。在编辑演讲采访时，Dalva创建了一个“Mercist”档案，这是一个反映坎宁安自己在过程、多声部和观众代理方面艺术优先事项的材料集。在探索该系列如何创造这种仁慈主义的视角时，我发现达尔瓦和坎宁安的选择创造了一种从根本上讲仍然是人类的遗产，即使它吸引了新的观众来了解坎宁安生活和工作。

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Mondays with Merce: A Mercist Project of Space, Time, and Screen

Abstract In the Mondays with Merce video series, Nancy Dalva curates interviews with Merce Cunningham and his community filmed in the two years before his death. In editing the interviews for presentation, Dalva creates a “Mercist” archive—a collection of materials that mirrors Cunningham’s own artistic priorities of process, multi-vocality, and audience agency. Exploring how the series creates this Mercist perspective, I show that Dalva’s choices, and Cunningham’s, create a legacy that remains radically human, even as it draws new audiences to Cunningham’s life and work.

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来源期刊

DANCE CHRONICLE DANCE-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： For dance scholars, professors, practitioners, and aficionados, Dance Chronicle is indispensable for keeping up with the rapidly changing field of dance studies. Dance Chronicle publishes research on a wide variety of Western and non-Western forms, including classical, avant-garde, and popular genres, often in connection with the related arts: music, literature, visual arts, theatre, and film. Our purview encompasses research rooted in humanities-based paradigms: historical, theoretical, aesthetic, ethnographic, and multi-modal inquiries into dance as art and/or cultural practice. Offering the best from both established and emerging dance scholars, Dance Chronicle is an ideal resource for those who love dance, past and present. Recently, Dance Chronicle has featured special issues on visual arts and dance, literature and dance, music and dance, dance criticism, preserving dance as a living legacy, dancing identity in diaspora, choreographers at the cutting edge, Martha Graham, women choreographers in ballet, and ballet in a global world.