平衡潮汐:美国的海洋实践Sāmoa作者:乔安娜·波夫莱特

IF 0.3 3区 社会学 Q3 AREA STUDIES
Michelle Harangody
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引用次数: 0

摘要

这种信息对于采用非殖民化方法的知识分子——尤其是那些在定居者殖民背景下的知识分子——以及所有寻求非殖民化夏威夷的人来说,既必然是令人鼓舞的,也非常有用。承认白人至上主义及其形成的弱点意味着承认其试图压迫的一切的力量,包括土著人对土地和彼此的认识、生活和联系方式。这意味着将Kanaka‘Ōiwi māhā(夏威夷文化中具有精神和社会角色的第三性别)Sammy Amalu的百万美元恶作剧视为一扇通往另一个未来的窗户,在这个未来,‘āina(土地)不是财产,而是食物(166-167)。这意味着支持毛伊岛上的卡纳卡伊维农民,他们努力将水道从度假胜地改道到他们曾经流经的农场,以减少夏威夷对进口食品的过度依赖(190-193)。最终,正如Saranillio所证明的那样,承认拒绝白人至上主义和资本主义力量的另类历史,为我们的想象力超越不可持续帝国的界限提供了空间,让土著知识和土地本身来指导我们的未来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Balancing the Tides: Marine Practices in American Sāmoa by JoAnna Poblete (review)
Such messaging is both necessarily encouraging and eminently useful for intellectuals employing decolonial methodologies—particularly those in settler-colonial contexts—and all those who seek a decolonized Hawai‘i. To recognize the weakness of white supremacy and its formations means to acknowledge the strength of all it attempted to oppress, including Indigenous ways of knowing, living, and relating to the land and each other. It means to see Kanaka ‘Ōiwi māhū (a third gender with culturally defined spiritual and social roles in Hawai‘i) Sammy Amalu’s milliondollar prank involving a false investment deal not as a failed business but as a window into an alternative future in which ‘āina (land) is not property but rather that which feeds (166–167). It means supporting Kanaka ‘Ōiwi farmers on Maui as they work to redirect waterways away from resorts to their farms, where they once flowed, in order to decrease Hawai‘i’s overreliance on imported food (190–193). Ultimately, as Saranillio demonstrates, recognizing alternative histories that reject the strength of white supremacy and capitalism makes room for our imagination to grow beyond the bounds of the unsustainable empire, allowing Indigenous knowledge and the land itself to guide our futures.
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来源期刊
Contemporary Pacific
Contemporary Pacific AREA STUDIES-
CiteScore
1.50
自引率
16.70%
发文量
1
期刊介绍: With editorial offices at the Center for Pacific Islands Studies, The Contemporary Pacific covers a wide range of disciplines with the aim of providing comprehensive coverage of contemporary developments in the entire Pacific Islands region, including Melanesia, Micronesia, and Polynesia. It features refereed, readable articles that examine social, economic, political, ecological, and cultural topics, along with political reviews, book and media reviews, resource reviews, and a dialogue section with interviews and short essays. Each issue highlights the work of a Pacific Islander artist.
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