Inflecting the house: Upside down and ungrounded between walls, windows, mirrors and screens

During COVID-19, private living spaces have become settings for activities usually taking place elsewhere. Work, education and leisure activities have moved in, while we have moved out and now frequently project our private interiors onto the screens of others when meeting online. We see ourselves reflected while reflecting each other, and we peek into the lives of strangers while staging our own for the world to see. If such virtual cross-extensions of public and private domains are not completely new, then they have been taken to a whole new level during the pandemic. The article explores such projected interiors extended between screens and walls and the implications these have for the thinking and making of a future living space. It asks how in response to the current environmental crisis the experience of the pandemic interior might help project new spaces radically different from the ones of pre-pandemic times. Two versions of a drawing made in the early 1920s by the Swiss German artist Paul Klee evoke the experience of spatial relationships familiar from the pandemic house. Creative writing of an inflected space detected in the drawings identifies an opening in the fabric of the interior potentially leading us into a future.