{"title":"文学研究中的严谨与不精确","authors":"T. Pavel","doi":"10.1215/00358118-8819637","DOIUrl":null,"url":null,"abstract":"\n The article examines several twentieth-century polemics between mechanist approaches to language and art and studies that emphasize creativity and historical developments. The 1944 exchange between Leonard Bloomfield and Leo Spitzer was an eloquent example of such polemics, as were the various points of view of Russian formalists as well as the French debates concerning historical determinism and creativity in literary studies.","PeriodicalId":39614,"journal":{"name":"Romanic Review","volume":"111 1","pages":"455-461"},"PeriodicalIF":0.2000,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Rigor and Imprecision in Literary Studies\",\"authors\":\"T. Pavel\",\"doi\":\"10.1215/00358118-8819637\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n The article examines several twentieth-century polemics between mechanist approaches to language and art and studies that emphasize creativity and historical developments. The 1944 exchange between Leonard Bloomfield and Leo Spitzer was an eloquent example of such polemics, as were the various points of view of Russian formalists as well as the French debates concerning historical determinism and creativity in literary studies.\",\"PeriodicalId\":39614,\"journal\":{\"name\":\"Romanic Review\",\"volume\":\"111 1\",\"pages\":\"455-461\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Romanic Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/00358118-8819637\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Romanic Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/00358118-8819637","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
The article examines several twentieth-century polemics between mechanist approaches to language and art and studies that emphasize creativity and historical developments. The 1944 exchange between Leonard Bloomfield and Leo Spitzer was an eloquent example of such polemics, as were the various points of view of Russian formalists as well as the French debates concerning historical determinism and creativity in literary studies.
Romanic ReviewArts and Humanities-Arts and Humanities (all)
CiteScore
0.20
自引率
0.00%
发文量
23
期刊介绍:
The Romanic Review is a journal devoted to the study of Romance literatures.Founded by Henry Alfred Todd in 1910, it is published by the Department of French and Romance Philology of Columbia University in cooperation with the Departments of Spanish and Italian. The journal is published four times a year (January, March, May, November) and balances special thematic issues and regular unsolicited issues. It covers all periods of French, Italian and Spanish-language literature, and welcomes a broad diversity of critical approaches.