尼日利亚情景喜剧中的性别和种族刻板印象

Pub Date : 2023-03-09 DOI:10.2989/16073614.2022.2112720
Ganiu Bamgbose, O. Ladele
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引用次数: 0

摘要

摘要对尼日利亚性别和种族刻板印象的研究没有考虑情景喜剧(即情景喜剧)作为识别该国固有的不同形式刻板印象的手段的潜力及其社会文化影响。因此,本研究分析了两部尼日利亚情景喜剧《杰尼法日记》和《约翰布尔教授》中的种族和性别刻板印象。分析了这两部情景喜剧前五季的十个有目的的摘录,使用了典型性和典型化概念的理论锚来分析摘录中的语言项目,以及描述问题分类的剑与盾隐喻。分析揭示了该系列中的种族和性别陈规定型观念。在种族刻板印象中,尼日利亚的约鲁巴人被典型化为对派对有着强烈嗜好的人,而伊博人则被塑造成金钱、商业和参与过度婚礼文化的人。性别刻板印象显示,男性霸权和女性共谋是尼日利亚的两个性别挑战,前者涉及男性的态度过度,后者是女性对男性霸权倾向的隐性贡献。该研究得出结论,情景喜剧可以通过揭示刻板印象,成为识别、评估和纠正社会文化紧急情况的工具。
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Gender and ethnic stereotypes in selected Nigerian sitcoms
Abstract Studies on gender and ethnic stereotypes in Nigeria have not considered the potentiality of situation comedies (i.e. sitcoms) as a means of identifying different forms of stereotypes inherent in the country, and their sociocultural implications. This study, therefore, analysed ethnic and gender stereotypes in two Nigerian situation comedies, namely Jenifa’s Diary and Professor JohnBull. Ten purposively extracted excerpts from the first five seasons of both sitcoms were analysed, using the theoretical anchor of typicality and typification concepts which were used to analyse the linguistic items in the excerpts, and the sword and shield metaphor which depicted the categorisation of issues. The analysis revealed ethnic and gender stereotypes in the series. With ethnic stereotypes, the Yoruba of Nigeria, were typified as people with a high penchant for partying, and the Igbo were constructed as lovers of money, business and people who engage in an exorbitant wedding culture. The gender stereotypes revealed male hegemony and female complicity as two gender challenges in Nigeria, with the former involving males’ attitudinal excesses and the latter being females’ implicit contribution towards male hegemonic tendencies. The study concluded that sitcoms can be tools for identifying, evaluating and correcting sociocultural exigencies through its revelation of stereotypes.
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