胜利之下

IF 2.3 Q3 COMPUTER SCIENCE, SOFTWARE ENGINEERING
S. Hessels
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引用次数: 0

摘要

近年来,探地雷达的发展使成像技术从一个简单的建筑工程工具转变为一个有价值的考古新选择。新发现的模拟声音回声通过石头共振的能力揭示了考古发现,在挖掘是不可能的。这位艺术家与一个跨学科团队合作,对法国一座哥特式大教堂广场下的2000年前高卢罗马神庙遗址进行了探地雷达扫描。该技术对隐藏地点的声音图像成为一种视觉语言,并在两年的一系列艺术作品中基于这一发现进行了探索。艺术+科学研究项目导致了许多创意媒体的数据可视化,包括特定地点的公共错视,增强现实和数百个设计实验。利用GPR数据集作为艺术创作的基础资源,该项目扩展了对数字遗产的解释。总的来说,这些作品加强了对一个自古以来隐藏的遗址的理解,但在大流行时期也被认为是公共非遗址。事实证明,这种扫描技术的进步是一种强大的创造性工具,可以突出我们如何保护和理解遗产,如何在社会距离遥远的时代创造公共体验,以及我们不断重新思考复杂历史的责任。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Below Victory
Recent advances in Ground Penetrating Radar have caused the imaging technology to pivot from a simple construction engineering tool to a valuable new option for archaeology. Newfound abilities to model sound echoes resonating through stone have revealed archeological discoveries where excavation is not possible. Working with a transdisciplinary team, the artist secured a GPR scan of 2,000-year-old Gallo-Roman temple ruins below the plaza of a gothic cathedral in France. The technology's sounding image of the hidden site became a visual language that was explored in a 2-year series of artworks based on the discovery. The art + science research project resulted in data visualizations across many creative media including site-specific public trompe l'oeil, augmented reality, and hundreds of design experiments. Using the GPR dataset as a foundational resource in art-making, the project expanded the interpretation of Digital Heritage. Collectively, the works reinforced the understanding of a site hidden since Antiquity but also considered public non-sites in pandemic times. The advances in this scanning technology proved to be a powerful creative tool to highlight themes of how we protect and understand heritage, how we create public experiences in socially distanced times, and our responsibility to continually reconsider complex history.
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来源期刊
CiteScore
2.90
自引率
0.00%
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0
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