{"title":"Naqvi的《家庭男孩》是对后9/11伊斯兰恐惧症的回应,也是对哈米德的《不情愿的原教旨主义者》的含蓄批判","authors":"Ambreen Hai","doi":"10.1353/ari.2022.0028","DOIUrl":null,"url":null,"abstract":"Abstract:Western fiction about the 9/11 attacks tends to center white American experiences and perspectives and reinforce dominant Western stereotypes and misconceptions about Muslims, especially Muslim men. Counter-discursive post-9/11 fiction from a Muslim cosmopolitan perspective that seeks to intervene in these modes of representation inevitably has to contend with globally dominant epistemological frameworks of suspicion. While Mohsin Hamid’s The Reluctant Fundamentalist (2007) is among the most well-known of such counter-discursive fictions, this article focuses on H. M. Naqvi’s less well-known novel Home Boy (2009) to argue that Home Boy constitutes a postcolonial response to 9/11, an explicit critique of the ensuing American response and Islamophobia, and a tactical alternative to and implicit critique of Hamid’s novel. The article highlights some problems created by the narrative strategies Hamid uses and shows how Naqvi takes a different approach, in particular by foregoing the temptations of ambiguity and gender stereotyping and highlighting the multiple traumas experienced by Muslims from 9/11 and its aftermath. In so doing, the article suggests how critical readers can recognize both the drawbacks of Hamid’s celebrated novel and the alternative possibilities of other strategies that Muslim writers can use to address the problems of neo-Orientalism and global Islamophobia.","PeriodicalId":51893,"journal":{"name":"ARIEL-A REVIEW OF INTERNATIONAL ENGLISH LITERATURE","volume":"53 1","pages":"113 - 147"},"PeriodicalIF":0.4000,"publicationDate":"2022-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"H. M. Naqvi’s Home Boy as a Response to Post-9/11 Islamophobia and as Implicit Critique of Mohsin Hamid’s The Reluctant Fundamentalist\",\"authors\":\"Ambreen Hai\",\"doi\":\"10.1353/ari.2022.0028\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Western fiction about the 9/11 attacks tends to center white American experiences and perspectives and reinforce dominant Western stereotypes and misconceptions about Muslims, especially Muslim men. Counter-discursive post-9/11 fiction from a Muslim cosmopolitan perspective that seeks to intervene in these modes of representation inevitably has to contend with globally dominant epistemological frameworks of suspicion. While Mohsin Hamid’s The Reluctant Fundamentalist (2007) is among the most well-known of such counter-discursive fictions, this article focuses on H. M. Naqvi’s less well-known novel Home Boy (2009) to argue that Home Boy constitutes a postcolonial response to 9/11, an explicit critique of the ensuing American response and Islamophobia, and a tactical alternative to and implicit critique of Hamid’s novel. The article highlights some problems created by the narrative strategies Hamid uses and shows how Naqvi takes a different approach, in particular by foregoing the temptations of ambiguity and gender stereotyping and highlighting the multiple traumas experienced by Muslims from 9/11 and its aftermath. In so doing, the article suggests how critical readers can recognize both the drawbacks of Hamid’s celebrated novel and the alternative possibilities of other strategies that Muslim writers can use to address the problems of neo-Orientalism and global Islamophobia.\",\"PeriodicalId\":51893,\"journal\":{\"name\":\"ARIEL-A REVIEW OF INTERNATIONAL ENGLISH LITERATURE\",\"volume\":\"53 1\",\"pages\":\"113 - 147\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-04-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ARIEL-A REVIEW OF INTERNATIONAL ENGLISH LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/ari.2022.0028\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARIEL-A REVIEW OF INTERNATIONAL ENGLISH LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/ari.2022.0028","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
H. M. Naqvi’s Home Boy as a Response to Post-9/11 Islamophobia and as Implicit Critique of Mohsin Hamid’s The Reluctant Fundamentalist
Abstract:Western fiction about the 9/11 attacks tends to center white American experiences and perspectives and reinforce dominant Western stereotypes and misconceptions about Muslims, especially Muslim men. Counter-discursive post-9/11 fiction from a Muslim cosmopolitan perspective that seeks to intervene in these modes of representation inevitably has to contend with globally dominant epistemological frameworks of suspicion. While Mohsin Hamid’s The Reluctant Fundamentalist (2007) is among the most well-known of such counter-discursive fictions, this article focuses on H. M. Naqvi’s less well-known novel Home Boy (2009) to argue that Home Boy constitutes a postcolonial response to 9/11, an explicit critique of the ensuing American response and Islamophobia, and a tactical alternative to and implicit critique of Hamid’s novel. The article highlights some problems created by the narrative strategies Hamid uses and shows how Naqvi takes a different approach, in particular by foregoing the temptations of ambiguity and gender stereotyping and highlighting the multiple traumas experienced by Muslims from 9/11 and its aftermath. In so doing, the article suggests how critical readers can recognize both the drawbacks of Hamid’s celebrated novel and the alternative possibilities of other strategies that Muslim writers can use to address the problems of neo-Orientalism and global Islamophobia.