Naqvi的《家庭男孩》是对后9/11伊斯兰恐惧症的回应,也是对哈米德的《不情愿的原教旨主义者》的含蓄批判

IF 0.4 2区 文学 0 LITERATURE
Ambreen Hai
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引用次数: 0

摘要

摘要:关于9/11恐怖袭击的西方小说往往以美国白人的经历和观点为中心,强化了西方对穆斯林,尤其是穆斯林男性的主流刻板印象和误解。从穆斯林世界的角度来看,反话语的后9/11小说试图干预这些表现模式,不可避免地要与全球占主导地位的怀疑认识论框架作斗争。莫辛·哈米德(Mohsin Hamid)的《不情愿的原教旨主义者》(2007)是此类反话语小说中最著名的作品之一,本文将重点关注h·m·纳克维(h.m. Naqvi)不太知名的小说《家男孩》(2009),认为《家男孩》构成了对9/11事件的后殖民回应,是对随后美国反应和伊斯兰恐惧症的明确批评,是对哈米德小说的策略替代和隐含批评。这篇文章强调了哈米德使用的叙事策略所造成的一些问题,并展示了Naqvi如何采取不同的方法,特别是通过放弃模棱两可和性别刻板印象的诱惑,并强调了穆斯林在9/11及其后果中所经历的多重创伤。通过这样做,这篇文章表明,有批判性的读者可以认识到哈米德著名小说的缺点,以及穆斯林作家可以用来解决新东方主义和全球伊斯兰恐惧症问题的其他策略的可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
H. M. Naqvi’s Home Boy as a Response to Post-9/11 Islamophobia and as Implicit Critique of Mohsin Hamid’s The Reluctant Fundamentalist
Abstract:Western fiction about the 9/11 attacks tends to center white American experiences and perspectives and reinforce dominant Western stereotypes and misconceptions about Muslims, especially Muslim men. Counter-discursive post-9/11 fiction from a Muslim cosmopolitan perspective that seeks to intervene in these modes of representation inevitably has to contend with globally dominant epistemological frameworks of suspicion. While Mohsin Hamid’s The Reluctant Fundamentalist (2007) is among the most well-known of such counter-discursive fictions, this article focuses on H. M. Naqvi’s less well-known novel Home Boy (2009) to argue that Home Boy constitutes a postcolonial response to 9/11, an explicit critique of the ensuing American response and Islamophobia, and a tactical alternative to and implicit critique of Hamid’s novel. The article highlights some problems created by the narrative strategies Hamid uses and shows how Naqvi takes a different approach, in particular by foregoing the temptations of ambiguity and gender stereotyping and highlighting the multiple traumas experienced by Muslims from 9/11 and its aftermath. In so doing, the article suggests how critical readers can recognize both the drawbacks of Hamid’s celebrated novel and the alternative possibilities of other strategies that Muslim writers can use to address the problems of neo-Orientalism and global Islamophobia.
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