景观设计的突破:从传统的暴君花园到前卫的“立体派花园”

IF 0.1 0 ARCHITECTURE
M. Dyomin, D. Chernyshev, A. Dmytrenko, T. Kuzmenko, Peng Chang
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引用次数: 2

摘要

本文从先锋派和立体主义的观点出发,追溯了从具有千年传统的传统景观到20世纪20年代革命性突破的过程。最古老的传统例子之一是中国园林,其原理经过数千年的发展和完善。在中国的园林和自然环境中,建筑起着次要的作用,只强调风景的美。正是自然环境决定了小型建筑形式的外观——凉亭和凉亭、它们的大小、轮廓和色彩解决方案。在没有人为干预的情况下最大限度地保护自然景观是为了所谓的景观英国花园。相反,法国花园旨在改善人类的自然环境,即为公园提供有规律的规划,引入带有模制王冠的绿色,具有复杂图案的花坛,广泛使用的包括有规律构图的喷泉。所有这些技术在20世纪初都被抛弃了,当时,随着城市规划和建筑的革命性变化,景观设计也发生了戏剧性的变化。在建构主义先锋派时期所谓的“立体主义花园”中,自然环境不再扮演主要角色,这种角色被建筑和雕塑形式所取代,花园实际上被改造成了一个装置。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A breakthrough in landscape design: from traditional garden of ancient despots to the avant-garde "garden of Cubism"
The article traces the process of moving away from traditional landscaping with millennial traditions to the revolutionary breakthrough of the 1920s, based on the views of the avant-garde and Cubism. One of the oldest traditional examples is the Chinese Garden, whose principles have been developed and refined over the millennia. In the Chinese garden and the natural environment in general, architecture played a secondary role, only emphasizing the beauty of the landscapes. It was the natural environment that dictated appearance of small architectural forms – pavilions and arbours, their sizes, silhouettes and colouristic solution. The maximum conservation of natural landscapes without human intervention was aimed at the so-called landscape English garden. Instead, the French garden was aimed at improving the natural environment of man, that is, the parks are provided with regular planning, the introduction of green with molded crowns, flower beds with a complex pattern, widely used included in the regular composition fountains. All of these techniques were discarded in the early twentieth century, when, in parallel with the revolutionary changes in urban planning and architecture, there were dramatic changes in landscape design. In the so-called “garden of Cubismˮ of the period of constructivism-avant-garde, the natural environment no longer plays a major role, such a role is taken over by architecture and sculptural forms, and the garden is actually transformed into an installation.
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来源期刊
CiteScore
1.00
自引率
25.00%
发文量
3
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