一代

IF 0.2 4区 文学 0 LITERARY THEORY & CRITICISM
Kate Jenckes
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引用次数: 0

摘要

摘要:本文探讨了“生育”一词的多重共鸣,重点探讨了智力和审美生产与母性形象之间的关系。从雅克·德里达(Jacques Derrida)对世代的批判开始,他认为世代是自我存在的根源,他将其与从杀害母亲到种族灭绝的各种暴力形式联系在一起,它考虑了一种腹语式世代模式的可能性,通过这种模式,其他人——包括生存的差异流——说话,我们被迫忍受。克劳迪娅·兰金(Claudia Rankine)的《情节》(Plot)是对审美产物与怀孕之间关系的诗意探索,被视为这种腹语生存的典范。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Generation
Abstract:This essay examines some of the multiple resonances of the word generation, with an emphasis on the relationship between intellectual and aesthetic production and the figure of maternity. Beginning with Jacques Derrida’s critique of generation as an origin that grounds self-presence, which he associates with forms of violence from matricide to genocide, it considers the possibility of a ventriloquial mode of generation, through which others—including the differential flow of survival—speak, and which we are compelled to bear. Claudia Rankine’s Plot, a poetic exploration of the relationship between aesthetic production and pregnancy, is read as an exemplary instance of such ventriloquial survival.
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来源期刊
DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM
DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM LITERARY THEORY & CRITICISM-
CiteScore
0.80
自引率
0.00%
发文量
0
期刊介绍: For over thirty years, diacritics has been an exceptional and influential forum for scholars writing on the problems of literary criticism. Each issue features articles in which contributors compare and analyze books on particular theoretical works and develop their own positions on the theses, methods, and theoretical implications of those works.
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