体验声音装置:一个概念框架

IF 0.2 3区 艺术学 0 MUSIC
Valérian Fraisse, Nicola Giannini, C. Guastavino, G. Boutard
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引用次数: 1

摘要

我们提出了一个概念框架,用于从游客的角度描述和记录声音装置。以分类学的形式,该框架包括四个互补的视角:声源、声音设计方法、访问模式和视觉方面。魁北克当代声音装置综述以及关于声音艺术和声音装置的概念和理论框架的文献综述为其阐述提供了依据。与现有框架相比,该分类法有助于从访问者的角度描述和比较有意义的声音装置。为了说明分类法的潜在好处及其所能描绘的装置的多样性,我们从不同的角度对四个当代声音装置进行了比较分析。最后,我们将使用此分类法进行文档编制。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Experiencing Sound Installations: A conceptual framework
We propose a conceptual framework for describing and documenting sound installations from a visitor’s point of view. In the form of a taxonomy, the framework includes four complementary perspectives: sound sources, sound design approaches, visiting modalities and visual aspects. Its elaboration was informed by a review of contemporary sound installations in Quebec as well as a literature review on conceptual and theoretical frameworks on sound art and sound installations. Compared with existing frameworks, the taxonomy is useful for describing and comparing sound installations across meaningful perspectives from a visitor’s stance. To illustrate the potential benefits of the taxonomy and the diversity of installations it can portray, we provide a comparative analysis of four contemporary sound installations from different perspectives. We conclude with the use of this taxonomy for documentation purposes.
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来源期刊
CiteScore
1.20
自引率
16.70%
发文量
38
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