“记住,身体”:康斯坦丁·卡瓦菲诗歌的现象学研究

IF 0.1 N/A LITERATURE
R. Field
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引用次数: 0

摘要

现象学和康斯坦丁·卡瓦菲(1863-1933)的诗歌很少出现在同一个句子中,在他的英文作品中也很少有这样的方法。在阐述了埃德蒙·胡塞尔提出并由莫里斯·梅洛-庞蒂解释的现象学基础之后,文章呼吁批评家们更公开地承认他们对现象学的影响。然后,它考察了卡瓦菲斯早期、晚期、出版和被压制的诗歌和散文。除了其克制和理智的本质,Cavafy的作品坚持将身体置于体验、感觉和交流的中心。它还指出了这种方法的局限性,特别是当身体的主观历史将其与他人隔离时。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Remember, Body”: A Phenomenological Approach to the Poetry of Constantin Cavafy
Phenomenology and the poetry of Constantin Cavafy (1863–1933) seldom appear in the same sentence, and there are few such approaches to his work in English. Having set out the basis of phenomenology as proposed by Edmund Husserl and interpreted by Maurice Merleau-Ponty, the article calls for critics to acknowledge their phenomenological influences more openly. It then examines early, late, published and suppressed poems and prose by Cavafy. Alongside its restrained and cerebral nature, Cavafy’s work sustains readings that place the body at the centre of experience, feeling and communication. It also notes the limits of this approach, particularly when a subjective history of the body closes it off to the other.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
9
期刊介绍: Current Writing: Text and Reception in Southern Africa is published bi-annually by Routledge. Current Writing focuses on recent writing and re-publication of texts on southern African and (from a ''southern'' perspective) commonwealth and/or postcolonial literature and literary-culture. Works of the past and near-past must be assessed and evaluated through the lens of current reception. Submissions are double-blind peer-reviewed by at least two referees of international stature in the field. The journal is accredited with the South African Department of Higher Education and Training.
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