{"title":"从诗歌革命到南方社会——中国现代古典主义诗歌的诞生*","authors":"Sun Zhimei","doi":"10.3868/S010-007-018-0018-4","DOIUrl":null,"url":null,"abstract":"AbstractThis paper examines the birth of classicist poetry by paying attention to the Southern Society’s (Nanshe) diachronic succession of the late Qing Poetic Revolution. It provides a careful analysis on the novelty of Huang Zunxian’s poetry and shows how the Southern Society transformed Huang’s Europeanized innovation into something that was rooted in both traditional scholarship and modern political discourse. I argue that the poetry of the Southern Society as being more formally conservative than Huang’s; however, spiritually, it represents a kind of progress as it styled itself as the “poetry of the cotton-clothed” ( buyi zhi shi )—the “cotton- clothed” stands for the scholars not serving in court. In this regard, its poetry could be seen as modern in spirit. It selectively integrated the traditional and the Western, for pragmatic and utilitarian purposes.","PeriodicalId":53910,"journal":{"name":"Frontiers of Literary Studies in China","volume":"12 1","pages":"299-323"},"PeriodicalIF":0.1000,"publicationDate":"2018-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3868/S010-007-018-0018-4","citationCount":"0","resultStr":"{\"title\":\"From Poetic Revolution to the Southern Society: The Birth of Classicist Poetry in Modern China*\",\"authors\":\"Sun Zhimei\",\"doi\":\"10.3868/S010-007-018-0018-4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"AbstractThis paper examines the birth of classicist poetry by paying attention to the Southern Society’s (Nanshe) diachronic succession of the late Qing Poetic Revolution. It provides a careful analysis on the novelty of Huang Zunxian’s poetry and shows how the Southern Society transformed Huang’s Europeanized innovation into something that was rooted in both traditional scholarship and modern political discourse. I argue that the poetry of the Southern Society as being more formally conservative than Huang’s; however, spiritually, it represents a kind of progress as it styled itself as the “poetry of the cotton-clothed” ( buyi zhi shi )—the “cotton- clothed” stands for the scholars not serving in court. In this regard, its poetry could be seen as modern in spirit. It selectively integrated the traditional and the Western, for pragmatic and utilitarian purposes.\",\"PeriodicalId\":53910,\"journal\":{\"name\":\"Frontiers of Literary Studies in China\",\"volume\":\"12 1\",\"pages\":\"299-323\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2018-07-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.3868/S010-007-018-0018-4\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Frontiers of Literary Studies in China\",\"FirstCategoryId\":\"1092\",\"ListUrlMain\":\"https://doi.org/10.3868/S010-007-018-0018-4\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ASIAN STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Frontiers of Literary Studies in China","FirstCategoryId":"1092","ListUrlMain":"https://doi.org/10.3868/S010-007-018-0018-4","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
From Poetic Revolution to the Southern Society: The Birth of Classicist Poetry in Modern China*
AbstractThis paper examines the birth of classicist poetry by paying attention to the Southern Society’s (Nanshe) diachronic succession of the late Qing Poetic Revolution. It provides a careful analysis on the novelty of Huang Zunxian’s poetry and shows how the Southern Society transformed Huang’s Europeanized innovation into something that was rooted in both traditional scholarship and modern political discourse. I argue that the poetry of the Southern Society as being more formally conservative than Huang’s; however, spiritually, it represents a kind of progress as it styled itself as the “poetry of the cotton-clothed” ( buyi zhi shi )—the “cotton- clothed” stands for the scholars not serving in court. In this regard, its poetry could be seen as modern in spirit. It selectively integrated the traditional and the Western, for pragmatic and utilitarian purposes.
期刊介绍:
Frontiers of Literature in China seeks to provide a forum for a broad blend of peer-reviewed academic papers of literature in order to promote communication and exchanges between litterateurs in China and abroad. It will reflect the enormous advances made in China in the field of literature in recent years. In addition, this journal also bears the mission of introducing the academic achievements on Chinese literature research to the world. The coverage will include the following main branches of literature, both theoretical and applied: ancient Chinese literature, modern Chinese literature and contemporary Chinese literature.