{"title":"暴虐者:文本和图像的新方法","authors":"T. H. Carpenter","doi":"10.1017/S0017383521000036","DOIUrl":null,"url":null,"abstract":"The bronze statues of the Tyrannicides, Harmodios and Aristogeiton, by the sculptors Kritios and Nesiotes, set up in the Athenian Agora in 477 bc, were well known to Athenians throughout the classical and Hellenistic periods. In Thucydides’ account of the deed of the Tyrannicides, he defines the two as lovers (erastes and eromenos), which has led to the assumption that the depictions are in some way likenesses of the two men. I argue that Thucydides’ account has been the source of a misreading of the sculptures. Rather, the models for the figures are contemporary representations of the Gigantomachy – Aristogeiton being based on Apollo – and thus, through the allusion to myth, the sculptors created multivalent figures that were emblematic of something that transcended their deed.","PeriodicalId":44977,"journal":{"name":"GREECE & ROME","volume":"68 1","pages":"208 - 221"},"PeriodicalIF":0.1000,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"THE TYRANNICIDES: A NEW APPROACH TO TEXT AND IMAGE\",\"authors\":\"T. H. Carpenter\",\"doi\":\"10.1017/S0017383521000036\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The bronze statues of the Tyrannicides, Harmodios and Aristogeiton, by the sculptors Kritios and Nesiotes, set up in the Athenian Agora in 477 bc, were well known to Athenians throughout the classical and Hellenistic periods. In Thucydides’ account of the deed of the Tyrannicides, he defines the two as lovers (erastes and eromenos), which has led to the assumption that the depictions are in some way likenesses of the two men. I argue that Thucydides’ account has been the source of a misreading of the sculptures. Rather, the models for the figures are contemporary representations of the Gigantomachy – Aristogeiton being based on Apollo – and thus, through the allusion to myth, the sculptors created multivalent figures that were emblematic of something that transcended their deed.\",\"PeriodicalId\":44977,\"journal\":{\"name\":\"GREECE & ROME\",\"volume\":\"68 1\",\"pages\":\"208 - 221\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"GREECE & ROME\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S0017383521000036\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"GREECE & ROME","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S0017383521000036","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
THE TYRANNICIDES: A NEW APPROACH TO TEXT AND IMAGE
The bronze statues of the Tyrannicides, Harmodios and Aristogeiton, by the sculptors Kritios and Nesiotes, set up in the Athenian Agora in 477 bc, were well known to Athenians throughout the classical and Hellenistic periods. In Thucydides’ account of the deed of the Tyrannicides, he defines the two as lovers (erastes and eromenos), which has led to the assumption that the depictions are in some way likenesses of the two men. I argue that Thucydides’ account has been the source of a misreading of the sculptures. Rather, the models for the figures are contemporary representations of the Gigantomachy – Aristogeiton being based on Apollo – and thus, through the allusion to myth, the sculptors created multivalent figures that were emblematic of something that transcended their deed.
期刊介绍:
Published with the wider audience in mind, Greece & Rome features informative and lucid articles on ancient history, art, archaeology, religion, philosophy, and the classical tradition. Although its content is of interest to professional scholars, undergraduates and general readers who wish to be kept informed of what scholars are currently thinking will find it engaging and accessible. All Greek and Latin quotations are translated. A subscription to Greece & Rome includes a supplement of New Surveys in the Classics. These supplements have covered a broad range of topics, from key figures like Homer and Virgil, to subjects such as Greek tragedy, thought and science, women, slavery, and Roman religion. The 2007 New Survey will be Comedy by Nick Lowe.