半音阶:一种四分调性的作曲系统

IF 0.5 4区艺术学 0 MUSIC

Tempo Pub Date : 2023-09-01 DOI:10.1017/S0040298223000359

Simon M Kaplan

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引用次数: 0

摘要

本文描述了一个基于四分之一音阶的作曲系统的设计过程。由于半音音阶和四分音音阶具有相同的属性，因此以半音音阶为基础的音乐语法作为模型，构建以半音音阶为基础的类似音乐语法。在全音阶调式音乐的范围内，从科学的角度分析了音高和音时的组织。考虑到几个参数:音阶，调式，和弦，节奏，节拍和节奏。全音阶的各个方面一一映射到四分调性上，就产生了半全音阶。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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DIAHEMITONIC MODALITY: A QUARTER-TONAL COMPOSITION SYSTEM

Abstract This article describes a design process for a composition system based upon the quarter-tone scale. As the semitone and quarter-tone scales share the same properties, a musical grammar based upon the former is used as a model to construct an analogous musical grammar based upon the latter. Within the scope of diatonic modal music, the organisation of pitches and durations is analysed from a scientific perspective. Several parameters are taken into consideration: scale, mode, chord, cadence, metre and rhythm. The one-to-one mapping of each facet of diatonic modality onto quarter-tonality results in diahemitonic modality.

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来源期刊

Tempo MUSIC-

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

19 weeks

期刊介绍： Tempo is the premier English-language journal devoted to twentieth-century and contemporary concert music. Literate and scholarly articles, often illustrated with music examples, explore many aspects of the work of composers throughout the world. Written in an accessible style, approaches range from the narrative to the strictly analytical. Tempo frequently ventures outside the acknowledged canon to reflect the diversity of the modern music scene. Issues feature interviews with leading composers, a tabulated news section, and lively and wide-ranging reviews of recent recordings, books and first performances around the world. Selected issues also contain specially-commissioned music supplements.