文本和视觉语言:一个破坏过程

Q4 Arts and Humanities
Arta Pub Date : 2022-09-01 DOI:10.52603/arta.2022.31-1.16
Ludmila Branişte
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引用次数: 0

摘要

文学中的过去的图画问题和绘画中的文学影响问题创造了一个完整的传统。意象的文学体验与文学中的意象练习,在特定的世界观的基础上,展示了两者之间的亲缘关系。绘画从当代哲学、文化和文学中选择其元素、符号和思想背景,这是绘画作品的基质。画家把它们翻译成形象的语言,对文学作品有了更个人化的解读。这篇文章反映了艺术家塞扎·塞里耶鲁多产的艺术生涯,他的作品通过将精神和文学形象转移到他的画布上,创造了一种独特的创作动态。艺术的“对应性”丰富了他创作的深层思想背景,也丰富了他绘画意蕴的多元化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Text et langaje visuel: un proces de mise en abîme
The problem of the pictorial past in literature and of literary influences in painting has created a whole tradition. The literary experience of the image and the pictorial exercise in literature demonstrated the affinities between them, based on a specific view of the world. From contemporary philosophy, culture and literature, painting chooses its elements, symbols and ideational background, which is the substrate of the pictorial work. Translating them into the language of images, the painter reaches a more personal interpretation of literary works. The article presents a reflection on the prolific artistic career of the artist Cezar Secrieru, whose work creates a unique creative dynamic by transposing the mental and literary image into his canvases. The “Correspondences” of the arts enrich the deep ideational background of his creation, but also the diversification of the pictorial meanings potential.
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来源期刊
Arta
Arta Arts and Humanities-Visual Arts and Performing Arts
自引率
0.00%
发文量
19
审稿时长
32 weeks
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