亨利·苏索的《被遗弃的门垫

IF 0.2 0 MEDIEVAL & RENAISSANCE STUDIES
Augustine M. Reisenauer
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引用次数: 0

摘要

摘要:本文探讨了亨利·苏索在其神秘主义和神秘主义的道路上前进时,如何遇到并拥抱一个门垫,这个门垫既激励又抑制了他所预示的放弃实践。它认为,通过深情地抓住这枚代币,而不是把它送给埃尔斯贝丝·斯塔格尔来减轻她的痛苦,苏索展示了他在抛弃自己的任务中是多么的平凡。他平淡无奇的行为不仅与斯塔格尔手工制作和分发他雕刻的IHS花押字形成了鲜明对比,也与她在他面前超越他的指导,成为裸体教头形成了鲜明对照。在他的榜样性中暴露出这些缺陷,不仅突出了永恒智慧的仆人是如何成为苏苏的理想人物的,而且突出了被钉十字架的基督是如何独自成为榜样的,在他对上帝和上帝的完全和无可争议的抛弃中。在逐渐适应自我清空和自我清空的耶稣的过程中,苏索被召唤抛弃甚至是他自己构建的“被抛弃”的自我。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Henry Suso's Doormat of Abandonment
abstract:This article explores how Henry Suso, while advancing along his mystic and mystagogic path, encounters and embraces a doormat that both inspires and inhibits his practice of the abandonment that it betokens. It argues that, by affectively clinging onto this token, rather than giving it away to Elsbeth Stagel to alleviate her suffering, Suso displays how unexemplary he remains in the task of abandoning himself. His unexemplary behavior contrasts not only with Stagel's handcrafting and distributing copies of his carved-out IHS monogram, but also with her advancement, before him and beyond his guidance, into the naked Godhead. The exposure of these deficiencies in his exemplarity accentuates not only how the servant of eternal Wisdom functions as an aspirational figure for Suso, but also how the crucified Christ alone, in his total and unsurpassable abandonment to God and by God, serves as the exemplar of exemplars. In being progressively conformed to the self-emptying and self-emptied Jesus, Suso is summoned to abandon even his self-constructed "abandoned" self.
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来源期刊
Journal of Medieval Religious Cultures
Journal of Medieval Religious Cultures MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.30
自引率
0.00%
发文量
26
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