{"title":"当代精神主义艺术中的精神思考","authors":"Ann Bridge Davies","doi":"10.1080/20440243.2022.2051952","DOIUrl":null,"url":null,"abstract":"ABSTRACT Paintings and drawings of spirits of the deceased have been produced by Spiritualists since 1852. Spiritualism in Britain has seven principles of belief, and the associated art has six classifications. The art is known as Spiritualist or spirit art. Spiritualist principles support the theory that life in the form of a spirit survives death; the fourth principle, ‘Continuous Existence of the Human Soul’, is central to this article and its discussion of how spirituality emerges as art is created. Spirit artists engage in creating basic portraits of the deceased without having known them, through a process of amanuensis from a believed spiritual source. For Spiritualists, the portraits provide visual evidence of life beyond death. This article explores the concept of spirituality in relation to this form of art. It includes discussion of two pieces of artwork and draws on transcripts of interviews with practicing spirit artists, as well as the author’s personal experience of spirit art. It suggests that spirit art is a useful, but neglected, lens through which to explore spirituality.","PeriodicalId":42985,"journal":{"name":"Journal for the Study of Spirituality","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Considering spirituality in contemporary Spiritualist art\",\"authors\":\"Ann Bridge Davies\",\"doi\":\"10.1080/20440243.2022.2051952\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Paintings and drawings of spirits of the deceased have been produced by Spiritualists since 1852. Spiritualism in Britain has seven principles of belief, and the associated art has six classifications. The art is known as Spiritualist or spirit art. Spiritualist principles support the theory that life in the form of a spirit survives death; the fourth principle, ‘Continuous Existence of the Human Soul’, is central to this article and its discussion of how spirituality emerges as art is created. Spirit artists engage in creating basic portraits of the deceased without having known them, through a process of amanuensis from a believed spiritual source. For Spiritualists, the portraits provide visual evidence of life beyond death. This article explores the concept of spirituality in relation to this form of art. It includes discussion of two pieces of artwork and draws on transcripts of interviews with practicing spirit artists, as well as the author’s personal experience of spirit art. It suggests that spirit art is a useful, but neglected, lens through which to explore spirituality.\",\"PeriodicalId\":42985,\"journal\":{\"name\":\"Journal for the Study of Spirituality\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2022-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal for the Study of Spirituality\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/20440243.2022.2051952\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal for the Study of Spirituality","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20440243.2022.2051952","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
Considering spirituality in contemporary Spiritualist art
ABSTRACT Paintings and drawings of spirits of the deceased have been produced by Spiritualists since 1852. Spiritualism in Britain has seven principles of belief, and the associated art has six classifications. The art is known as Spiritualist or spirit art. Spiritualist principles support the theory that life in the form of a spirit survives death; the fourth principle, ‘Continuous Existence of the Human Soul’, is central to this article and its discussion of how spirituality emerges as art is created. Spirit artists engage in creating basic portraits of the deceased without having known them, through a process of amanuensis from a believed spiritual source. For Spiritualists, the portraits provide visual evidence of life beyond death. This article explores the concept of spirituality in relation to this form of art. It includes discussion of two pieces of artwork and draws on transcripts of interviews with practicing spirit artists, as well as the author’s personal experience of spirit art. It suggests that spirit art is a useful, but neglected, lens through which to explore spirituality.
期刊介绍:
Journal for the Study of Spirituality is a peer-reviewed journal which creates a unique interdisciplinary, inter-professional and cross-cultural forum where researchers, scholars and others engaged in the study and practices of spirituality can share and debate the research, knowledge, wisdom and insight associated with spirituality and contemporary spirituality studies. The British Association for the Study of Spirituality (BASS) organises a biennial international conference and welcomes enquiries about membership from those interested in the study of spirituality in the UK and worldwide. The journal is concerned with what spirituality means, and how it is expressed, in individuals’ lives and communities and in professional practice settings; and with the impact and implications of spirituality in, and on, social policy, organizational practices and personal and professional development. The journal recognises that spirituality and spiritual values can be expressed and studied in secular contexts, including in scientific and professional practice settings, as well as within faith and wisdom traditions. Thus, Journal for the Study of Spirituality particularly welcomes contributions that: identify new agendas for research into spirituality within and across subject disciplines and professions; explore different epistemological and methodological approaches to the study of spirituality; introduce comparative perspectives and insights drawn from different cultures and/or professional practice settings; aim to apply and develop sustained reflection, investigation and critique in relation to spirituality and spiritual practices; critically examine the values and presuppositions underpinning different forms of spirituality and spiritual practices; incorporate different forms of writing and expressions of spirituality.