“白人奴隶”和歌舞表演:1940年代巴拿马的墨西哥艺术家

IF 0.6 3区 历史学 Q1 HISTORY
Pamela J. Fuentes
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引用次数: 0

摘要

摘要:这篇文章探讨了1940年至1943年间出现在墨西哥各种报纸和杂志上的一个故事:墨西哥舞者被带到巴拿马运河区,不仅是为了参加卡巴莱表演,还为美国军人提供性服务。通过这一案例研究,本文表明,关于“贩运”的论述与关于性产业的论述一样,都是关于跨国娱乐业的。政策制定者对雇佣女性并提供酒精、音乐和综艺表演的场所持怀疑态度,他们经常试图规范内部发生的社交和性互动,尤其是当这些场所吸引了来自不同社会阶层、种族和民族的人时。这些条例还将规定哪些妇女是受害者,哪些妇女应对自己的处境负责。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"White Slavery" and Cabarets: Mexican Artists in Panama in the 1940s
Abstract:This article examines a story that appeared in various Mexican newspapers and magazines from 1940 to 1943: Mexican dancers were being taken to the Panama Canal Zone not only to work in cabaret shows but also to offer sexual services to US military men. Using this case study, this article shows that discourses of "trafficking" were as much about the transnational entertainment industry as they were about the sex industry. Policy makers, who viewed with suspicion venues that employed women and offered alcohol, music, and variety performances, often attempted to regulate the social and sexual interactions that happened inside, particularly when they attracted people from different social classes, races, and ethnicities. These regulations would also define which women were victims and which ones were responsible for their own situation.
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
33
期刊介绍: Journal of Women"s History is the first journal devoted exclusively to the international field of women"s history. It does not attempt to impose one feminist "line" but recognizes the multiple perspectives captured by the term "feminisms." Its guiding principle is a belief that the divide between "women"s history" and "gender history" can be, and is, bridged by work on women that is sensitive to the particular historical constructions of gender that shape and are shaped by women"s experience.
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