Lifting the ‘knee on the neck’ through virtual collaboration within creative and therapeutic art methodologies

Police brutality towards Black people and People of Colour (POC) has been a thorn for centuries in South Africa and the world. The advent of COVID-19 escalated this struggle to unimaginable heights, illuminating, amongst other things, the epistemological and ontological limitations underpinning modernity (). Nevertheless, the killing of George Floyd moved masses across the globe to reflect critically on the injustices that Black people endure. Equally, social media shone a spotlight to mobilize consciousness amidst the pandemic restrictions. Moved by the mood of the time, we (a group of primarily arts practitioners and thinkers) organized virtual ‘intergenerational and intercontinental dialogues’ to explore how the dialogic approaches informed by the principles of applied theatre may catalyse drama therapy approaches. Through conversations that we named ‘epistemological injustice’, we made discoveries that included noticing how the biases we all carry may serve as enablers or constraints in embracing therapeutic encounters across disciplines. This article shares insights from the ‘#Talks’ and generates reflective material for creative arts therapies and applied theatre methodologies.