{"title":"巴赫康塔塔:印刷和录音","authors":"R. Leaver","doi":"10.22513/BACH.48.1.0093","DOIUrl":null,"url":null,"abstract":"In February 2013 the Bach Collegium Japan, under the direction of Masaaki Suzuki, came to the end of their project of performing and recording all the sacred cantatas of Bach with concerts in Kobe and Tokyo of three cantatas: Freue dich, erlöste Schar (BWV 30), Lobe den Herrn, meine Seele (BWV 69), and Gloria in excelsis Deo (BWV 191).1 This was a significant milestone and I was invited to give pre-concert lectures before the two performances. Since a video disk charting the progress of the whole series, focusing on these final concerts, has recently been issued, it seems like the right time to make these lectures accessible.2 The first pre-concert lecture was given in Kobe Shoin Women’s University Chapel on 23 February, and the second at Tokyo Opera City Concert Hall on the following day. They are given here in lightly edited versions.","PeriodicalId":42367,"journal":{"name":"BACH","volume":"48 1","pages":"114 - 93"},"PeriodicalIF":0.1000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Bach Cantatas: in Print and Recordings\",\"authors\":\"R. Leaver\",\"doi\":\"10.22513/BACH.48.1.0093\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In February 2013 the Bach Collegium Japan, under the direction of Masaaki Suzuki, came to the end of their project of performing and recording all the sacred cantatas of Bach with concerts in Kobe and Tokyo of three cantatas: Freue dich, erlöste Schar (BWV 30), Lobe den Herrn, meine Seele (BWV 69), and Gloria in excelsis Deo (BWV 191).1 This was a significant milestone and I was invited to give pre-concert lectures before the two performances. Since a video disk charting the progress of the whole series, focusing on these final concerts, has recently been issued, it seems like the right time to make these lectures accessible.2 The first pre-concert lecture was given in Kobe Shoin Women’s University Chapel on 23 February, and the second at Tokyo Opera City Concert Hall on the following day. They are given here in lightly edited versions.\",\"PeriodicalId\":42367,\"journal\":{\"name\":\"BACH\",\"volume\":\"48 1\",\"pages\":\"114 - 93\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"BACH\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22513/BACH.48.1.0093\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"BACH","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22513/BACH.48.1.0093","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
摘要
2013年2月,日本巴赫学院在铃木雅明的指导下,结束了他们在神户和东京举行的三场音乐会,演奏和录制了巴赫所有神圣的康塔塔:Freue dich, erlöste Schar (BWV 30), Lobe den Herrn, meine Seele (BWV 69)和Gloria In excelsis Deo (BWV 191)这是一个重要的里程碑,我被邀请在两场演出之前做音乐会前的讲座。由于最近发行了一个记录整个系列的进展情况的光盘,重点是这些最后的音乐会,现在似乎是时候把这些讲座提供给大家了第一次音乐会前讲座于2月23日在神户Shoin女子大学教堂举行,第二次于第二天在东京歌剧城音乐厅举行。这里给出的是经过轻微编辑的版本。
In February 2013 the Bach Collegium Japan, under the direction of Masaaki Suzuki, came to the end of their project of performing and recording all the sacred cantatas of Bach with concerts in Kobe and Tokyo of three cantatas: Freue dich, erlöste Schar (BWV 30), Lobe den Herrn, meine Seele (BWV 69), and Gloria in excelsis Deo (BWV 191).1 This was a significant milestone and I was invited to give pre-concert lectures before the two performances. Since a video disk charting the progress of the whole series, focusing on these final concerts, has recently been issued, it seems like the right time to make these lectures accessible.2 The first pre-concert lecture was given in Kobe Shoin Women’s University Chapel on 23 February, and the second at Tokyo Opera City Concert Hall on the following day. They are given here in lightly edited versions.