悔过自新的罪人：用Nikephoros Ouranos的catanyotic字母表代表自我

IF 0.3 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

BYZANTINE AND MODERN GREEK STUDIES Pub Date : 2022-07-26 DOI:10.1017/byz.2022.9

Cristina Cocola

{"title":"悔过自新的罪人：用Nikephoros Ouranos的catanyotic字母表代表自我","authors":"Cristina Cocola","doi":"10.1017/byz.2022.9","DOIUrl":null,"url":null,"abstract":"For Byzantines, catanyctic poetry offered a rich source of models for self-representation. In this paper I analyse the poetic strategies and literary motifs through which Nikephoros Ouranos (tenth–eleventh century) shaped the self in his catanyctic alphabet. In particular, I will focus on the intertextual strategies employed by Ouranos in order to model the catanyctic self, such as the identification with scriptural sinners, and the presence of biblical metaphors.","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":"46 1","pages":"176 - 195"},"PeriodicalIF":0.3000,"publicationDate":"2022-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A repentant sinner: representing the self in Nikephoros Ouranos’ catanyctic alphabet\",\"authors\":\"Cristina Cocola\",\"doi\":\"10.1017/byz.2022.9\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"For Byzantines, catanyctic poetry offered a rich source of models for self-representation. In this paper I analyse the poetic strategies and literary motifs through which Nikephoros Ouranos (tenth–eleventh century) shaped the self in his catanyctic alphabet. In particular, I will focus on the intertextual strategies employed by Ouranos in order to model the catanyctic self, such as the identification with scriptural sinners, and the presence of biblical metaphors.\",\"PeriodicalId\":43258,\"journal\":{\"name\":\"BYZANTINE AND MODERN GREEK STUDIES\",\"volume\":\"46 1\",\"pages\":\"176 - 195\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-07-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"BYZANTINE AND MODERN GREEK STUDIES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/byz.2022.9\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"BYZANTINE AND MODERN GREEK STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/byz.2022.9","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}

引用次数: 0

摘要

对于拜占庭人来说，祈福诗为自我表现提供了丰富的模式来源。在本文中，我分析了尼科弗罗斯·乌拉诺斯(Nikephoros Ouranos)(10 - 11世纪)在他的catanytic字母表中塑造自我的诗歌策略和文学母旨。特别地，我将聚焦于乌拉诺斯为了塑造隐喻自我而采用的互文策略，比如对圣经罪人的认同，以及圣经隐喻的存在。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

A repentant sinner: representing the self in Nikephoros Ouranos’ catanyctic alphabet

For Byzantines, catanyctic poetry offered a rich source of models for self-representation. In this paper I analyse the poetic strategies and literary motifs through which Nikephoros Ouranos (tenth–eleventh century) shaped the self in his catanyctic alphabet. In particular, I will focus on the intertextual strategies employed by Ouranos in order to model the catanyctic self, such as the identification with scriptural sinners, and the presence of biblical metaphors.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

BYZANTINE AND MODERN GREEK STUDIES HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： Byzantine and Modern Greek Studies is an internationally recognised, peer-reviewed journal and one of the leading publications in its field. It is viewed as an important outlet for current research. Published twice a year in spring and autumn, its remit has always been to facilitate the publication of high-quality research and discussion in all aspects of Byzantine and Modern Greek scholarship, whether historical, literary or social-anthropological. It welcomes research, criticism, contributions on theory and method in the form of articles, critical studies and short notes.