数字人类学与多感官聆听

IF 1.1 4区计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Journal of New Music Research Pub Date : 2021-03-15 DOI:10.1080/09298215.2021.1898647

Taina Riikonen

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引用次数: 0

摘要

在这篇文章中，我将通过数字人类学和naftology(石油体验的哲学)的概念来讨论听赫尔辛基地铁隧道的双耳录音。在这种背景下，数字被理解为物质文化，也是物质的组成部分。通过将双耳录音概念化为感知声音环境的工具和设备，我认为数字物质文化中的声学认识论将产生感知和体验不断变化的环境的相关知识。

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Digital anthropology meets multisensory listening

In this article, I will discuss listening to binaural recordings of Helsinki metro tunnels through the concepts of digital anthropology and naftology, the philosophy of the experience of oil. The digital is understood in this context as material culture and also as a constitutive part of corporeality. By conceptualising binaural recordings both as instrument and device for sensing the sonic environments, I argue that the acoustic epistemologies within the digital material culture will produce relevant knowledge on sensing and experiencing the changing environments.

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来源期刊

Journal of New Music Research 工程技术-计算机：跨学科应用

CiteScore

3.20

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.