坐在鲍德温的桌子上

Q1 Arts and Humanities
Lindsey R. Swindall
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引用次数: 0

摘要

去年,在《詹姆斯·鲍德温的餐桌上没有短信》(There Is No Texting at James Baldwin’s Table)这篇报道中,我开始评估观众在我与纽约演员兼喜剧演员格兰特·库珀(Grant Cooper)共同主持的几次公开讨论中对鲍德温作品的参与方式。根据人们对鲍德温在曼哈顿一所高中和一所中学进行的两次五部分对话的最初反应,我认为,对有意义的交流的需求正在吸引人们讨论这位作家。在我写那篇文章的时候,我正忙着安排在新泽西州各社区举行的七场鲍德温新讨论,以及在曼哈顿举行的另一个由五部分组成的系列讨论。在完成这些会议后,我很高兴地报告,鲍德温的欢迎桌确实是进行有影响力对话的有力工具。这篇文章将证明,讨论鲍德温不仅为富有成效的分享开辟了一条途径,而且还进一步激发了人们的思考,即他们如何能为加速积极的社会和个人转变做出贡献。有三个问题可以构成对实施欢迎桌的分析:有多少人想坐在詹姆斯·鲍德温的桌子旁?关于詹姆斯·鲍德温(James Baldwin)的讨论能否维持更多的“欢迎餐桌时刻”?这些互动能否创造一种亲切感,加深数字时代的个人互动?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sitting at Baldwin’s Table
Last year, in the dispatch “There Is No Texting at James Baldwin’s Table,” I began to assess the ways in which audiences were engaging with Baldwin’s writing at several public discussions that I co-facilitated with NYC actor/comedian Grant Cooper. Based on the initial reaction to two five-part Baldwin conversations at a high school and middle school in Manhattan, I posited that a need for meaningful communion is drawing people to discuss the writer. As I wrote that article, I was busy scheduling seven new Baldwin discussions in communities across New Jersey and another five-part series in Manhattan. Having completed those sessions, I am pleased to report that Baldwin’s welcome table is indeed a powerful vehicle for engaging in impactful dialogue. This dispatch will demonstrate that discussing Baldwin not only opened an avenue for productive sharing but went further by inspiring people to ask how they could contribute to hastening positive social and personal transformation. Three questions will frame this analysis of putting the welcome table into practice: How many people want to sit at James Baldwin’s table? Can conversations about James Baldwin sustain more “welcome table moments”? Can these interactions create a sense of kinship that deepens personal interaction in the digital age?
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来源期刊
James Baldwin Review
James Baldwin Review Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
13
审稿时长
16 weeks
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