Farmer和Chevli的堕胎夜中的信息劳动与羞耻

IF 0.5 0 HUMANITIES, MULTIDISCIPLINARY

Comics Grid-Journal of Comics Scholarship Pub Date : 2019-04-03 DOI:10.16995/CG.158

Melanie McGovern, Martin Paul Eve

{"title":"Farmer和Chevli的堕胎夜中的信息劳动与羞耻","authors":"Melanie McGovern, Martin Paul Eve","doi":"10.16995/CG.158","DOIUrl":null,"url":null,"abstract":"This article conducts the first in-depth political-aesthetic analysis of Joyce Farmer and Lyn Chevli’s Abortion Eve. In this article we argue that Abortion Eve uses its visual form in a way that cuts between the contexts of later forms of graphic medicine and feminist comix, and in so doing contributed to a political culture of feminist information sharing, through a self-published visual medium.","PeriodicalId":41800,"journal":{"name":"Comics Grid-Journal of Comics Scholarship","volume":" ","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2019-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Information Labour and Shame in Farmer and Chevli’s Abortion Eve\",\"authors\":\"Melanie McGovern, Martin Paul Eve\",\"doi\":\"10.16995/CG.158\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article conducts the first in-depth political-aesthetic analysis of Joyce Farmer and Lyn Chevli’s Abortion Eve. In this article we argue that Abortion Eve uses its visual form in a way that cuts between the contexts of later forms of graphic medicine and feminist comix, and in so doing contributed to a political culture of feminist information sharing, through a self-published visual medium.\",\"PeriodicalId\":41800,\"journal\":{\"name\":\"Comics Grid-Journal of Comics Scholarship\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2019-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Comics Grid-Journal of Comics Scholarship\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.16995/CG.158\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Comics Grid-Journal of Comics Scholarship","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.16995/CG.158","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}

引用次数: 2

摘要

本文对乔伊斯·法默和林恩·切夫利的《堕胎前夜》进行了首次深入的政治美学分析。在这篇文章中，我们认为《堕胎前夜》使用其视觉形式的方式介于后来形式的图形医学和女权主义漫画的背景之间，并通过自行出版的视觉媒介促进了女权主义信息共享的政治文化。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Information Labour and Shame in Farmer and Chevli’s Abortion Eve

This article conducts the first in-depth political-aesthetic analysis of Joyce Farmer and Lyn Chevli’s Abortion Eve. In this article we argue that Abortion Eve uses its visual form in a way that cuts between the contexts of later forms of graphic medicine and feminist comix, and in so doing contributed to a political culture of feminist information sharing, through a self-published visual medium.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Comics Grid-Journal of Comics Scholarship HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.60

自引率

0.00%

发文量

审稿时长

20 weeks