{"title":"“诗人还是人”:约翰·济慈对威廉·史密斯·威廉姆斯的印象","authors":"Angus Graham-Campbell","doi":"10.1080/09524142.2020.1761108","DOIUrl":null,"url":null,"abstract":"ABSTRACT This paper explores the impact Keats had, both as a ‘poet’ and as a ‘man’, on the young apprentice William Smith Williams, who worked for Taylor and Hessey and who may have been the last person to shake Keats’s hand as he boarded the Maria Crowther for Naples. Williams’s poem, published in The Table Book in 1827, reveals Keats’s attractiveness to his teenage admirer, and suggests some of his feelings on leaving England.","PeriodicalId":41387,"journal":{"name":"KEATS-SHELLEY REVIEW","volume":"34 1","pages":"11 - 7"},"PeriodicalIF":0.1000,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09524142.2020.1761108","citationCount":"0","resultStr":"{\"title\":\"‘The Poet or the Man’: Impressions of John Keats on William Smith Williams\",\"authors\":\"Angus Graham-Campbell\",\"doi\":\"10.1080/09524142.2020.1761108\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This paper explores the impact Keats had, both as a ‘poet’ and as a ‘man’, on the young apprentice William Smith Williams, who worked for Taylor and Hessey and who may have been the last person to shake Keats’s hand as he boarded the Maria Crowther for Naples. Williams’s poem, published in The Table Book in 1827, reveals Keats’s attractiveness to his teenage admirer, and suggests some of his feelings on leaving England.\",\"PeriodicalId\":41387,\"journal\":{\"name\":\"KEATS-SHELLEY REVIEW\",\"volume\":\"34 1\",\"pages\":\"11 - 7\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/09524142.2020.1761108\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"KEATS-SHELLEY REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/09524142.2020.1761108\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"POETRY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"KEATS-SHELLEY REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09524142.2020.1761108","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"POETRY","Score":null,"Total":0}
‘The Poet or the Man’: Impressions of John Keats on William Smith Williams
ABSTRACT This paper explores the impact Keats had, both as a ‘poet’ and as a ‘man’, on the young apprentice William Smith Williams, who worked for Taylor and Hessey and who may have been the last person to shake Keats’s hand as he boarded the Maria Crowther for Naples. Williams’s poem, published in The Table Book in 1827, reveals Keats’s attractiveness to his teenage admirer, and suggests some of his feelings on leaving England.
期刊介绍:
The Keats-Shelley Review has been published by the Keats-Shelley Memorial Association for almost 100 years. It has a unique identity and broad appeal, embracing Romanticism, English Literature and Anglo-Italian relations. A diverse range of items are published within the Review, including notes, prize-winning essays and contemporary poetry of the highest quality, around a core of peer-reviewed academic articles, essays and reviews. The editor, Professor Nicholas Roe, along with the newly established editorial board, seeks to develop the depth and quality of the contributions, whilst retaining the Review’s distinctive and accessible nature.