对奏鸣曲失败的再思考——门德尔松的美丽梅露辛童话序曲

IF 1.6 1区艺术学 0 MUSIC

MUSIC THEORY SPECTRUM Pub Date : 2021-07-17 DOI:10.1093/MTS/MTAA032

J. Horton

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引用次数: 0

摘要

本文对比了James Hepokoski关于奏鸣曲失败的观点(Hepokoski 2002;Hepokoski and Darcy 2006)以及Janet Schmalfeldt(2011)所倡导的“成为”概念作为浪漫Formenlehre发展领域的分析工具。以门德尔松的序曲Zum Märchen von der schönen Melusine为例，研究了浪漫主义形式的过程分类，并将其应用于仲裁失败和成为序曲结构的对比方面。我将作品的过程理论化，作为一个总体过程网络的参与者，与句法和声音相互作用，从而产生奏鸣曲形式的典型辩证思想，这打破了门德尔松作为一个倒退的古典主义者的传统观念。

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Rethinking Sonata Failure: Mendelssohn’s Overture Zum Märchen von der schönen Melusine

This article counterpoints James Hepokoski’s notion of sonata failure (Hepokoski 2002; Hepokoski and Darcy 2006) and the concept of “becoming” advocated by Janet Schmalfeldt (2011) as analytical tools in the developing field of Romantic Formenlehre. Taking Mendelssohn’s overture Zum Märchen von der schönen Melusine as a case study, it develops a taxonomy of process for Romantic form, which is applied to arbitrate failure and becoming as contrasted aspects of the overture’s construction. I theorize the work’s processes as participants in an overarching processual network interacting with syntax and voice leading to generate a characteristically dialectical idea of sonata form, which unsettles traditional perceptions of Mendelssohn as a regressive classicist.

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来源期刊

MUSIC THEORY SPECTRUM MUSIC-

CiteScore

2.30

自引率

20.00%

发文量

期刊介绍： A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance. For further information about Music Theory Spectrum, please visit the Society for Music Theory homepage.