罗杰·培根《论数学抽象

Q3 Arts and Humanities
Dominique Demange
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引用次数: 0

摘要

在《主论》和《第三论》的一些段落中,罗杰·培根认为数学对象是人类智力的直接和适当的对象:在我们理智的生活中,智力主要围绕数量本身发展。我们通过对智力的感知来理解量和体,因为它们的形式属于智力,也就是说,对数学真理的理解几乎是我们内在的。对这些句子的自然反应是在罗杰·培根的数学知识理论中推断出毕达哥拉斯或柏拉图式的强烈影响。然而,培根一直遵循亚里士多德的观点,即数字和图形除了可感知的物质之外没有真正的存在,而普遍的知识也来自于感官经验。培根声称数量是人类智力的第一对象,这似乎源于对亚里士多德《论记忆与回忆》一段文章的原始解读。本文试图阐明培根在《巴黎问题:物理学与因果自由》、《透视》、《哲学》、《数学公报》和《几何推测》中关于数学抽象和数学形式的智力感知的观点。我们得出的结论是,培根认为数学抽象是对物理世界内部结构的一种感知模式:数学抽象对培根来说并不意味着理想形式与可感物质的分离,而是对可感世界内部结构本身的直觉的可能性,人类感知空间和时间所必需的能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“…cupiens mathematicam tractare infra radices metaphysice…” Roger Bacon on Mathematical Abstraction
In some passages of the Opus maius and the Opus tertium, Roger Bacon holds that mathematical objects are the immediate and adequate objects of human’s intellect: in our sensible life, the intellect develops mostly around quantity itself. We comprehend quantities and bodies by a perception of the intellect because their forms belong to the intellect, namely, an understanding of mathematical truths is almost innate within us. A natural reaction to these sentences is to deduce a strong Pythagorean or Platonic influence in Roger Bacon’s theory of mathematical knowledge. However, Bacon has always followed Aristotle’s view according to which numbers and figures have no real existence apart from the sensible substances, and universal knowledge comes from sensory experience as well. It appears that Bacon’s claim that quantity is the first object of human's intellect comes from an original reading of a passage of Aristotle’s On Memory and Reminiscence. In this paper, we try to clarify Bacon’s views about mathematical abstraction and intellectual perception of mathematical forms in his Parisian questions on Physics and Liber De causis, the Perspectiva, Opus maius, Opus tertium, the Communia mathematica and the Geometria speculativa. We conclude that Bacon considered mathematical abstraction as a mode of perception of the internal structure of the physical world: mathematical abstraction does not mean for Bacon an act of separation of ideal forms from the sensible matter, but a possibility of intuition of the internal structure of the sensible world itself, a faculty which is necessary for human’s perception of space and time.
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来源期刊
Revista Espanola de Filosofia Medieval
Revista Espanola de Filosofia Medieval Arts and Humanities-History
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