废奴主义音乐理论与马克思主义:走向和解的音符

IF 1.6 1区 艺术学 0 MUSIC
S. Gopinath
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引用次数: 1

摘要

本文对Stephen Lett的《为股份有限公司音乐理论学会建造家园》(2023年,即将出版)发表了一篇富有同情心的马克思主义评论。我探讨了殖民化和殖民主义的问题,这些问题是从字面而非隐喻的角度来看待的;提供了关于当代美国学术音乐理论政治经济学的假设,这似乎与作曲的冲突密不可分;并以实践和更广泛的乌托邦政治方式思考理论的政治未来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Abolitionist Music Theory and Marxism: Notes Toward a Reconciliation
This essay offers a sympathetic Marxist commentary on Stephen Lett’s “Making a Home of The Society for Music Theory, Inc.” (2023, forthcoming). I explore questions of colonization and coloniality, which are viewed in literal, rather than metaphorical, terms; provide hypotheses about the political economy of contemporary US-American academic music theory, which seems to be inseparable from conflicts with composition; and meditate on theory’s political futures in both practical and broader utopian-political ways.
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来源期刊
CiteScore
2.30
自引率
20.00%
发文量
15
期刊介绍: A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance. For further information about Music Theory Spectrum, please visit the Society for Music Theory homepage.
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