{"title":"化学亲缘关系:19世纪英格兰北部的摄影、提取和工业遗产","authors":"Jennifer Tucker","doi":"10.1080/08905495.2022.2146898","DOIUrl":null,"url":null,"abstract":"ABSTRACT “Chemical Affinities” explores how chemistry and visual culture were entwined in the long nineteenth century, focusing here on the role of photography as both a material cause of pollution and the aesthetic means to visualize the pollution that it caused. Chemical layering was a common dimension of all nineteenth-century photography and photographic printing, making photography a by-product of the chemical revolution of the nineteenth century, no less than fertilizer and paper. Drawing on hundreds of visual representations (drawings, engravings, photographs, and graphs), most of them located in local, scientific, and business archives in northern England, my research approaches photography as a material, economic, and social process: an extractive resource that raises questions about the global future alongside recording the tangible present and arrested moments of the past. Here, I examine the nineteenth-century industry in Widnes, Cheshire, as a particularly representative and vexed site of photography’s chemical effects on land and people, as well as its instrumentation in documenting and recording – and in so doing promising to expose and moderate – those effects. The article concludes with some reflections on the value of photographic archives and critical industrial heritage studies for historical understanding of nineteenth-century chemical industry and its legacies.","PeriodicalId":43278,"journal":{"name":"Nineteenth-Century Contexts-An Interdisciplinary Journal","volume":"44 1","pages":"525 - 539"},"PeriodicalIF":0.3000,"publicationDate":"2022-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Chemical affinities: photography, extraction, and industrial heritage in nineteenth-century northern England\",\"authors\":\"Jennifer Tucker\",\"doi\":\"10.1080/08905495.2022.2146898\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT “Chemical Affinities” explores how chemistry and visual culture were entwined in the long nineteenth century, focusing here on the role of photography as both a material cause of pollution and the aesthetic means to visualize the pollution that it caused. Chemical layering was a common dimension of all nineteenth-century photography and photographic printing, making photography a by-product of the chemical revolution of the nineteenth century, no less than fertilizer and paper. Drawing on hundreds of visual representations (drawings, engravings, photographs, and graphs), most of them located in local, scientific, and business archives in northern England, my research approaches photography as a material, economic, and social process: an extractive resource that raises questions about the global future alongside recording the tangible present and arrested moments of the past. Here, I examine the nineteenth-century industry in Widnes, Cheshire, as a particularly representative and vexed site of photography’s chemical effects on land and people, as well as its instrumentation in documenting and recording – and in so doing promising to expose and moderate – those effects. The article concludes with some reflections on the value of photographic archives and critical industrial heritage studies for historical understanding of nineteenth-century chemical industry and its legacies.\",\"PeriodicalId\":43278,\"journal\":{\"name\":\"Nineteenth-Century Contexts-An Interdisciplinary Journal\",\"volume\":\"44 1\",\"pages\":\"525 - 539\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-10-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nineteenth-Century Contexts-An Interdisciplinary Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/08905495.2022.2146898\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nineteenth-Century Contexts-An Interdisciplinary Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/08905495.2022.2146898","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Chemical affinities: photography, extraction, and industrial heritage in nineteenth-century northern England
ABSTRACT “Chemical Affinities” explores how chemistry and visual culture were entwined in the long nineteenth century, focusing here on the role of photography as both a material cause of pollution and the aesthetic means to visualize the pollution that it caused. Chemical layering was a common dimension of all nineteenth-century photography and photographic printing, making photography a by-product of the chemical revolution of the nineteenth century, no less than fertilizer and paper. Drawing on hundreds of visual representations (drawings, engravings, photographs, and graphs), most of them located in local, scientific, and business archives in northern England, my research approaches photography as a material, economic, and social process: an extractive resource that raises questions about the global future alongside recording the tangible present and arrested moments of the past. Here, I examine the nineteenth-century industry in Widnes, Cheshire, as a particularly representative and vexed site of photography’s chemical effects on land and people, as well as its instrumentation in documenting and recording – and in so doing promising to expose and moderate – those effects. The article concludes with some reflections on the value of photographic archives and critical industrial heritage studies for historical understanding of nineteenth-century chemical industry and its legacies.
期刊介绍:
Nineteenth-Century Contexts is committed to interdisciplinary recuperations of “new” nineteenth centuries and their relation to contemporary geopolitical developments. The journal challenges traditional modes of categorizing the nineteenth century by forging innovative contextualizations across a wide spectrum of nineteenth century experience and the critical disciplines that examine it. Articles not only integrate theories and methods of various fields of inquiry — art, history, musicology, anthropology, literary criticism, religious studies, social history, economics, popular culture studies, and the history of science, among others.