排斥、同理心与伊斯兰:文学市场中的逃亡者

IF 0.2 3区 文学 0 LITERATURE
Sauleha Kamal
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引用次数: 0

摘要

随着全球文学市场在西方中心的定位,9/11事件后对英语巴基斯坦文学的兴趣伴随着对少数民族身份的崇拜。法蒂玛·布托的《逃亡者》驳斥了有关激进化起源于伊斯兰教的恐伊斯兰论调,表明激进化源于种族、阶级和性别等物质事实的排斥。然而,这部小说在文学市场上的地位使布托试图引起读者共鸣的努力复杂化了。本文认为,尽管《逃亡者》在意识形态上反对以欧洲为中心的世界主义自由主义,但它对巴基斯坦和伊斯兰实践的表现偶尔也会有所动摇。小说的同理心被投入到普遍主义中,暗示了一个盲点,这可归因于全球文学市场对世俗世界“精英”读者的期望。通过对布托小说的分析,本文探讨了产生同理心的可能性,并对阅读和写作他人的伦理进行了质疑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Exclusion, empathy, and Islam: The Runaways in the literary marketplace
ABSTRACT With the location of the global literary marketplace in western centres, post-9/11 interest in anglophone Pakistani literature comes with the fetishization of minoritized identities. Fatima Bhutto’s The Runaways combats Islamophobic arguments about the Islamic origins of radicalization, showing that it emerges out of exclusion stemming from material facts of race, class, and gender. However, the novel's place in the literary marketplace complicates Bhutto's efforts to elicit empathy from readers. This article argues that although The Runaways is ideologically opposed to Eurocentric cosmopolitan liberalism, it occasionally falters in its representation of Pakistan and Islamic practices. The novel’s empathy is invested in universalism, suggesting a blind spot which is attributable to the global literary marketplace’s anticipation of a secular cosmopolitan “elite” readership. Through analysis of Bhutto’s novel, this article explores the possibility of productive empathy, and interrogates the ethics of reading and writing the other.
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
73
期刊介绍: The Journal of Postcolonial Writing is an academic journal devoted to the study of literary and cultural texts produced in various postcolonial locations around the world. It explores the interface between postcolonial writing, postcolonial and related critical theories, and the economic, political and cultural forces that shape contemporary global developments. In addition to criticism focused on literary fiction, drama and poetry, we publish theoretically-informed articles on a variety of genres and media, including film, performance and other cultural practices, which address issues of relevance to postcolonial studies. In particular we seek to promote diasporic voices, as well as creative and critical texts from various national or global margins.
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