{"title":"女性频率:声音女性的代际对话","authors":"M. Charles","doi":"10.1558/jwpm.43092","DOIUrl":null,"url":null,"abstract":"This article recounts a critical conversation between two Black British sound women, conducted by a Black British female scholar. Together DJ Ade and Junie Rankin (real names Lynda Rosenior-Patten and June Reid) form Nzinga Soundz, one of the UK’s longest running, all-women sound systems. Thali Lotus owns and runs CAYA Sound System, established and built in 2016 with the aim of promoting reggae music as an educational, charitable, entertaining and entrepreneurial tool. Resulting from an extensive double interview conducted by Dr Monique Charles, leading scholar on grime and Black Atlantic performances, the piece offers an insight into issues of race, gender, knowledge transmission and use of technology as reflected in the work of two female reggae outputs. Combining the critical insight of a scholar with the self-reflection and self-articulation of music practitioners, the article explores the way in which the practice of reggae sound systems is constantly rearticulated as a work of art, business enterprise and tool of empowerment for oneself and the wider community in the British context.","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Feminine Frequencies: An Intergenerational Dialogue between Soundwomen\",\"authors\":\"M. Charles\",\"doi\":\"10.1558/jwpm.43092\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article recounts a critical conversation between two Black British sound women, conducted by a Black British female scholar. Together DJ Ade and Junie Rankin (real names Lynda Rosenior-Patten and June Reid) form Nzinga Soundz, one of the UK’s longest running, all-women sound systems. Thali Lotus owns and runs CAYA Sound System, established and built in 2016 with the aim of promoting reggae music as an educational, charitable, entertaining and entrepreneurial tool. Resulting from an extensive double interview conducted by Dr Monique Charles, leading scholar on grime and Black Atlantic performances, the piece offers an insight into issues of race, gender, knowledge transmission and use of technology as reflected in the work of two female reggae outputs. Combining the critical insight of a scholar with the self-reflection and self-articulation of music practitioners, the article explores the way in which the practice of reggae sound systems is constantly rearticulated as a work of art, business enterprise and tool of empowerment for oneself and the wider community in the British context.\",\"PeriodicalId\":40750,\"journal\":{\"name\":\"Journal of World Popular Music\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-06-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of World Popular Music\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1558/jwpm.43092\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of World Popular Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/jwpm.43092","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Feminine Frequencies: An Intergenerational Dialogue between Soundwomen
This article recounts a critical conversation between two Black British sound women, conducted by a Black British female scholar. Together DJ Ade and Junie Rankin (real names Lynda Rosenior-Patten and June Reid) form Nzinga Soundz, one of the UK’s longest running, all-women sound systems. Thali Lotus owns and runs CAYA Sound System, established and built in 2016 with the aim of promoting reggae music as an educational, charitable, entertaining and entrepreneurial tool. Resulting from an extensive double interview conducted by Dr Monique Charles, leading scholar on grime and Black Atlantic performances, the piece offers an insight into issues of race, gender, knowledge transmission and use of technology as reflected in the work of two female reggae outputs. Combining the critical insight of a scholar with the self-reflection and self-articulation of music practitioners, the article explores the way in which the practice of reggae sound systems is constantly rearticulated as a work of art, business enterprise and tool of empowerment for oneself and the wider community in the British context.
期刊介绍:
Journal of World Popular Music is a peer-reviewed academic journal that publishes research and scholarship on recent issues and debates surrounding international popular musics, also known as World Music, Global Pop, World Beat or, more recently, World Music 2.0. The journal provides a forum to explore the manifestations and impacts of post-globalizing trends, processes, and dynamics surrounding these musics today. It adopts an open-minded perspective, including in its scope any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics. Placing specific emphasis on contemporary, interdisciplinary, and international perspectives, the journal’s special features include empirical research and scholarship into the global creative and music industries, the participants of World Music, the musics themselves and their representations in all media forms today, among other relevant themes and issues; alongside explorations of recent ideas and perspectives from popular music, ethnomusicology, anthropology, musicology, communication, media and cultural studies, sociology, geography, art and museum studies, and other fields with a scholarly focus on World Music. The journal also features special, guest-edited issues that bring together contributions under a unifying theme or geographical area.